Browse: SACD, Channel (label), Early 20th Century
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…Fischer's feeling of the Symphony's supple architecture, his ability to caress a phrase or point out a delicious colour without losing the sense of the larger flow, make this one of the most... — More…
Awards:
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Building a Library, May 2010, Featured
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BBC Music Magazine Awards, 2010, Orchestral Finalist
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Gramophone Awards, 2009, Finalist - Orchestral
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Gramophone Magazine, April 2009, Editor's Choice
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Building a Library, April 2019, Recommended Recording
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Diapason d’Or de l’Année, 2009
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Mahler: Symphony No. 2 'Resurrection'
RecommendedLisa Milne (soprano) & Birgit Remmert (alto)
Budapest Festival Orchestra & The Hungarian Radio Choir, Iván Fischer
…Fischer… rarely pushes too hard. The orchestral sound is lean but not undernourished, allowing for even balance between contesting lines - outstanding in the funereal coda of the first movement... — More…
Awards:
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Gramophone Magazine, Awards Issue 2006, Disc of the Month
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Gramophone Awards, 2007, Editor's Choice
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Fischer and his Budapest forces possess the right ingredients: the orchestra is well drilled in an interpretation that's as straight as a Roman road; its strings are searing, and brass and wooodwind... — More…
Awards:
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Gramophone Awards, 2012, Finalist - Orchestral
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Mahler: Das Lied von der Erde
RecommendedGerhild Romberger (contralto), Robert Dean Smith (tenor)
Budapest Festival Orchestra, Iván Fischer
Robert Dean Smith is a strong heroic-tenor; the awkward middle-to-upper range writing seems no problem or strain for him, though he’s not the most expressive of interpreters...Fischer’s mezzo,... — More…
Awards:
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Presto Recordings of the Year, Finalist 2020
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Britten: Works for voice & string orchestra
Barbara Hannigan (soprano), James Gilchrist (tenor) & Jasper de Waal (horn)
Amsterdam Sinfonietta, Candida Thompson (artistic director)
Hannigan brings a fined-down intensity to the more hushed Rimbaud settings such as 'Being Beauteous', but elsewhere her tone tends to flutter under pressure...Gilchrist, by contrast, sounds at... — More…
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The Ragazze Quartet...[favour] keen inflections, luminous textures (especially in the first movement [of the Dvorak] and a consistent sense of mobility...Their biggest strength is an added quota... — More…
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Nice performances, stunning recording. — More…
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Beethoven: String Quartet No. 16 & Walton: Serenade for Strings
Amsterdam Sinfonietta, Candida Thompson
Arrangements for string orchestra of works originally written for string quartet are not uncommon, especially in the cases of Beethoven and Schubert… But in the amazing scherzo, with its huge... — More…
Awards:
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Gramophone Magazine, March 2006, Disc of the Month
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There is indeed little that these players cannot project in terms of multifacted lyricism, colour and dramatic presence, and this is matched by the very best in modern brass programming…all the... — More…
Awards:
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Gramophone Magazine, June 2015, Editor's Choice
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Gershwin Album
Johannette Zomer (soprano) & Michel Ponsioen (percussion)
The Gents & Haags Saxophone Quartet, Béni Csillag
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