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Beethoven Révolution Vol. II
RecommendedSymphonies 6 to 9
Sara Gouzy (soprano), Salome Fischer (alto), Mingjie Lei (tenor), Manuel Walser (baritone), Le Concert des Nations, La Capella Nacional de Catalunya, Jordi Savall
the performances were evolved over a series of ‘academies’ interrogating every aspect of the score. His interpretive decisions nonetheless feel organic rather than didactic…the finale of the... — More…
Awards:
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Gramophone Magazine, February 2022, Recording of the Month
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Gramophone Awards, 2022, Finalist - Orchestral
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International Classical Music Awards, 2023, Nominated - Symphonic Music
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Building a Library, December 2022, Also Recommended - Beethoven 9
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There’s real musicality here at the service of imaginative phrasing, with just enough added force to keep everything animated. A “Great” Symphony without longueurs is rare but this is one. — More…
Awards:
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Gramophone Magazine, November 2022, Editor's Choice
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International Classical Music Awards, 2023, Nominated - Symphonic Music
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He understands the subtleties of Gluckian grace and studied simplicity, while Le Concert des Nations respond to the fast numbers with gutsy, incisive aplomb. — More…
Awards:
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International Classical Music Awards, 2023, Nominated - Symphonic Music
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Haydn: The Seven Last Words of Our Saviour on the Cross (Orchestral version, 1786)
Le Concert des Nations, Jordi Savall
Savall shows an awareness not only of the music's sense of drama, but also of its nobility of expression, solemnity and imaginative use of sonority. This is as good a performance of the original... — More…
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From the age of 25 Boccherini lived in Spain… and Spanish elements lend distinctive colours to his music. Bubbling high spirits from composer and performers alike produce a most entertaining... — More…
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The strings have a particularly inviting elastic, ‘gutty’ sound, free of the sparkle and sharp attack of metal-strung instruments. The mellow-toned period woodwind are particularly beautiful,... — More…
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Catalonia’s resonant Château de Cardona sometimes makes the bassline heavy, the vigorous timpanist often forgets the crucial Beethovenian difference between one f and two, and the editor clipped... — More…
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With a large and varied orchestra and (optional) surround sound, Jordi Savall revels in the unmatched opulence, extravagance and scale of mid-18th century France...The music is divorced from... — More…
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