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by skilfully modulating their tone between the smooth and the raucous, the two clarinettists here contrive to minimise the absence of oboe timbre in what proves a lively and nicely nuanced reading...these... — More…
Awards:
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Gramophone Magazine, February 2015, Editor's Choice
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Languorous and brilliant by turns, this star clarinettist's recital is a delight.… — More…
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Wallisch is in many ways a highly attractive Mozartian, commanding a beautiful (if rather opaque) tone, a discerning sense of proportion and a keen but discreet articulation, all complemented... — More…
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His technique and touch are immaculate, his tempos are judicious and, without over-emphasis or eccentricity, he always phrases meaningfully...And his account of the alternatively plaintive and... — More…
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Haydn: The Creation
(sung in German)
Amanda Forsythe (soprano), Keith Jameson (tenor) & Kevin Deas (bass-baritone)
Boston Baroque, Martin Pearlman
[a] clean account, nicely scaled and finely balanced...There's skilful work throughout from the three soloists...Pearlman displays a keen sense of the music's shape and encompasses its range... — More…
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Hommage à Trois
William Berger (baritone), Carolyn Sampson (soprano)
Scottish Chamber Orchestra, Nicholas McGegan
The Scottish Chamber Orchestra's characterful accompaniments under Nicholas McGegan's expert baton prove adventurous at every turn. Berger's agile, lyrical high baritone is also impressive, with... — More…
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Wallisch's reading contain many attractive qualities: immaculately clean fingerwork, fine phrase-characterisation and sense of balance. But this is, of course, much-recorded repertory...the CD... — More…
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Trevor Pinnock knows a thing or two about Mozart and imparts to his youthful charges from the Royal Academy of Music all his enthusiasm for the Salzburger’s greatest serenade. There’s no other... — More…
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