Browse: SACD, LSO Live (label)

Roman Simovic has a tendency to launch phrases with a penetrating sniff but secures characterful and energetic results, the very occasional imprecision let through in the interests of emotional... — Gramophone Magazine, April 2016 More…

Znaider’s lovely tone and delicacy of touch are a pleasure, and the LSO, taught by Colin Davis to play as chamber musicians, support him faithfully. — Sunday Times, 25th March 2018 More…

Pires plays with the lightness, clarity and impeccable phrasing that have made her career...Haitink keeps the orchestra firmly in classical territory, helped by reduced instrumentation. Pires... — The Wholenote, April 2019 More…

Clean-heeled athleticism and rhythmic spring — Gramophone Magazine, February 2017 More…

Znaider seems to have taken Mozart’s description of his own silky tone to heart, and his new recording of the first three concertos with the LSO…is notable for the purity of his sound. These... — BBC Music Magazine, February 2019, 3 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…

A vivid live recording of the perennial classic, let down a little by the narration. Though not without nuance, it’s borderline hollered in places. — BBC Music Magazine, October 2018, 3 out of 5 stars More…

there is much to be said for hearing Hardenberger himself on commanding form. — Gramophone Magazine, January 2014 More…

It’s a goodly noise, rumbustious in the dance movements, sleek in the intensely wrought sonata form of the first movement, caressing in the slow music and almost vandalous in the yobbish rondo-finale…forty-eight... — Gramophone Magazine, August 2017 More…