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Janáček: Katya Kabanova RecommendedAmanda Majeski (Katya), Katarina Dalayman (Kabanicha), Simon O'Neill (Boris), Andrew Staples (Tichon), Magdalena Kozená (Varvara), Ladislav Elgr (Kudrjas), Pavlo Hunka (Dikój)
London Symphony Orchestra & Chorus, Sir Simon Rattle
The LSO are on tremendous form throughout, and what follows is an unflinching journey into both beauty and darkness, as sensuousness repeatedly collides with incipient violence. — More…
Awards:
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Presto Recording of the Week, 23rd February 2024
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Gramophone Magazine, March 2024, Recording of the Month
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Janáček: The Cunning Little Vixen, Sinfonietta
RecommendedLucy Crowe (Vixen), Gerald Finley (Forester), Sophia Burgos (Fox), Jan Martiník (Badger/Parson), Peter Hoare (Mosquito/Rooster/Schoolmaster), Hanno Müller-Brachmann (Harašta)
London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle
If this Vixen is good, the Sinfonietta is outstanding – arguably the best on disc, though you need to experience the work in a concert hall with the nine trumpets blazing. They’re supremely sophisticated... — More…
Awards:
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Presto Recording of the Week, 4th September 2020
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Gramophone Magazine, October 2020, Editor's Choice
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Presto Recordings of the Year, Finalist 2020
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Gramophone Magazine, Critics' Choice 2020
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The Times Records of the Year, 2020
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Grammy Awards, 64th Awards (2022), Nominee - Best Opera Recording
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Bartók: Duke Bluebeard's Castle, Sz. 48, Op. 11
RecommendedElena Zhidkova (Judith) & Sir Willard White (Bluebeard)
London Symphony Orchestra, Valery Gergiev
…Gergiev and his superlative orchestral forces and vocal soloists, supported by magnificent sound quality, present the enigmatic piece with great power, leaving us, as adequate performances always... — More…
Awards:
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Presto Recording of the Week, 10th August 2009
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BBC Music Magazine, September 2009, Opera Choice
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Opera, December 2009, Recording of the Month
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Bernstein: Candide
RecommendedLeonardo Capalbo (Candide), Jane Archibald (Cunegonde), Anne Sofie von Otter (Old Lady), Thomas Allen (Dr Pangloss/Narrator)
London Symphony Orchestra & Chorus, Marin Alsop
In the title role, Leonardo Capalbo offers charm, delicacy and a touch of melancholy. Jane Archibald makes an amiable Cunegonde, though her showpiece ‘Glitter and be gay’ doesn’t sparkle enough.... — More…
Awards:
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Record Review, 9th October 2021, Record of the Week
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Presto Recording of the Week, 15th October 2021
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Opera
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Verdi: Falstaff
RecommendedMichele Pertusi (Falstaff), Carlos Alvarez (Ford), Bülent Bezdüz (Fenton), Ana Ibarra (Alice Ford), Maria Josè Moreno (Nannetta), Jane Henschel (Mistress Quickly), Marina Domashenko (Meg Page)
London Symphony Orchestra & Chorus, Sir Colin Davis
By all accounts the performances at the Barbican were among the most enjoyable of their kind in London for a long time, and certainly the enjoyment comes across on disc. The 'how' of it isn't... — More…
Awards:
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Building a Library, April 2016, Also Recommended
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Gramophone Magazine, November 2004, Editor's Choice
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Grammy Awards, 48th Awards (2005), Best Opera Recording
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Verdi: Otello
RecommendedSimon O’Neill (Otello), Gerald Finley (Iago), Anne Schwanewilms (Desdemona), Allan Clayton (Cassio), Ben Johnson (Roderigo), Alexander Tsymbalyuk (Lodovico), Matthew Rose (Montano), Lukas Jakobski (Herald) & Eufemia Tufano (Emilia)
London Symphony Orchestra & Chorus, Sir Colin Davis
everything contributes to accentuating extremes: Colin Davis gets the LSO, in shattering form, to play chords like cannon shots...The two male leads are superb: Simon O'Neill is the most complete... — More…
Awards:
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Presto Recording of the Week, 1st November 2010
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Gramophone Awards, 2011, Finalist - Opera
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Gramophone Magazine, November 2010, Editor's Choice
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Weber: Der Freischütz
RecommendedChristine Brewer (Agathe), Sally Matthews (Ännchen), Lars Woldt (Kaspar), Simon O’Neill (Max), Stephan Loges (Ottokar/Zamiel), Martin Snell (Kuno), Gidon Saks (A Hermit), Marcus Farnsworth (Kilian), Lucy Hall (Bridesmaids)
London Symphony Orchestra & Chorus, Sir Colin Davis
This is a sincere reading of the work, but sincerity should not be confused with a lack of sophistication. The orchestral textures are pristine, the tempos and colours bracing and plaintive,... — More…
Awards:
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Presto Recording of the Week, 6th May 2013
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Strauss, R: Elektra
RecommendedJeanne-Michèle Charbonnet (Elektra), Angela Denoke (Chrysothemis), Dame Felicity Palmer (Clytemnestra), Matthias Goerne (Orestes), Ian Storey (Aegisthus)
London Symphony Orchestra, Valery Gergiev
[Gergiev] conveys passions and tensions with compelling, sometimes deafening power...[Charbonnet is] strongly involved without, thankfully, overplaying the weirdness...[Palmer's Klytaemnestra... — More…
Awards:
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Presto Recording of the Week, 9th July 2012
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Berlioz: Benvenuto Cellini
Gregory Kunde (Cellini), Laura Claycomb (Teresa), Darren Jeffery (Balducci), Andrew Kennedy (Francesco), Isabelle Cals (Ascanio), John Relyea (Pope Clement VII), Peter Coleman-Wright (Fieramosca), Jacques Imbrailo (Pompeo)
London Symphony Chorus & London Symphony Orchestra, Sir Colin Davis
The combination of technology and the conductor's unimpaired élanmakes for glowing textures and shattering climaxes. — More…
Awards:
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Gramophone Magazine, August 2008, Editor's Choice
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Stravinsky: Oedipus Rex & Apollon Musagète
RecommendedJennifer Johnston (Jocasta), Stuart Skelton (Oedipus), Gidon Saks (Creon) & Fanny Ardant (narrator)
Gentlemen of the Monteverdi Choir & London Symphony Orchestra, Sir John Eliot Gardiner
Johnston's superb interpretation lifts the whole performance up a couple of notches...But John Eliot Gardiner's conducting somehow misses the work's elusive power. — More…
Awards:
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Presto Recording of the Week, 7th April 2014
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Building a Library, May 2018, Recommended Recording
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