Browse: LSO Live (label)
This page lists all recordings from the label LSO Live.
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Recorded in remarkably vivid sound at the Barbican in December 2019, this is an exceptionally fine performance. Gianandrea Noseda brings a tremendous sense of strength and purpose to the opening...The... — More…
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BBC Music Magazine, March 2022, Orchestral Choice
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Jansons coaxes some extraordinary playing from the London Symphony Orchestra, with deep, rich strings, characterful woodwind and peerless brass. This performance also happens to have the most... — More…
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Gramophone Magazine, October 2003, Editor's Choice
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Presto Recording of the Week, 4th June 2007
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Brahms: Symphonies Nos. 1 & 2 & Tragic Overture
RecommendedLondon Symphony Orchestra, Valery Gergiev
Gergiev produces a gripping, architecturally secure account of the First Symphony: his rather ponderous tempo for the first-movement Allegro imparts a sort of baleful inevitability to its progress,... — More…
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Presto Recording of the Week, 14th October 2013
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Gergiev has the sensibility to put on the pressure and to foster flexibility as the natural contours of the music demand...[He] has a feel for the romantic urgency of the music as well as its... — More…
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Gramophone Magazine, August 2010, Editor's Choice
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What Sir Colin Davis has to say about Sibelius's Second Symphony hasn't changed in substance since his first recording with the Boston Symphony (Philips), but the paragraphs now flow with ever... — More…
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Building a Library, January 2013, First Choice
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Berlioz: Roméo et Juliette, Op. 17
RecommendedOlga Borodina (mezzo-soprano), Kenneth Tarver (tenor), Evgeny Nikitin (bass)
London Symphony Orchestra, London Symphony Chorus & Guildhall School Singers, Valery Gergiev
Gergiev, in this live account, inclines towards operatic fire and pace, occasionally headlong, but with a clarity and hushed, atmospheric pianissimo finely captured by the spacious SACD recording. — More…
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Presto Recording of the Week, 8th July 2016
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Building a Library, October 2011, First Choice
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For anyone who wants first-rate stereo sound and a broadly traditional reading, it is hard to imagine more profoundly satisfying accounts than these. The playing of the LSO is nowadays quite... — More…
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Gramophone Magazine, August 2006, Editor's Choice
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Berlioz: La Damnation de Faust, Op. 24
Giuseppe Sabbatini (Faust), Enkelejda Shkosa (Marguerite), Michele Pertusi (Méphistophélès), David Wilson-Johnson (Brander)
London Symphony Orchestra & Chorus, Sir Colin Davis
The greatest Berlioz conductor of his generation in a triumphant benchmark live recording … outshines previous sets at whatever price — More…
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Gramophone Magazine, July 2001, Editor's Choice
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