Wolf: Mörike-Lieder (selections)

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There can be no better advocate of Hugo Wolf than Roman Trekel, now at the peak of his career as a Lieder interpreter, who presents this deeply satisfying recital of the best of the Mörike Lieder.
These... — Gramophone Classical Music Guide, 2010 More…

Catalogue No: OC305
Label: Oehms
Length: 67 minutes

Excerpt, Wolf, H: Mörike-Lieder

Work length1:07:58

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Roman Trekel, Oliver Pohl

No. 10, Fussreise

Track length2:42

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No. 6, Er ist's

Track length1:21

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No. 15, Auf einer Wanderung

Track length3:18

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No. 13, Im Fruhling

Track length4:57

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No. 37, Heimweh

Track length2:59

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No. 32, An die Geliebte

Track length3:07

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No. 33, Peregrina I, "Der Spiegel dieser treuen"

Track length2:02

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No. 34, Peregrina II, "Warum, Geliebte, denk ich"

Track length3:10

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No. 36, Lebe wohl

Track length2:02

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No. 12, Verborgenheit

Track length3:00

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No. 1, Der Genesene an die Hoffnung

Track length3:50

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No. 24, In der Fruhe

Track length2:21

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No. 23, Auf ein altes Bild

Track length2:33

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No. 39, Denk' es, o Seele!

Track length3:06

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No. 31, Wo find ich Trost?

Track length4:44

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No. 44, Der Feuerreiter

Track length5:42

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No. 19, Um Mitternacht

Track length3:19

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No. 47, Die Geister am Mummelsee

Track length3:44

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No. 8, Begegnung

Track length1:25

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No. 48, Storchenbotschaft

Track length3:53

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No. 50, Auftrag

Track length1:40

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No. 53, Abschied

Track length3:03

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Reviews
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Reviews

2010

There can be no better advocate of Hugo Wolf than Roman Trekel, now at the peak of his career as a Lieder interpreter, who presents this deeply satisfying recital of the best of the Mörike Lieder.
These inspired songs need, above all, the kind of intense expression and intimate, detailed treatment that Trekel brings them. Performed as convincingly as they are here, they offer a particular frisson of individual accent that no other composer in the genre, whatever their other merits, quite equals: words and music seem as though they were written at one and the same time Trekel achieves an ideal fusion of tonal security, sense of line and word-painting. In a comparatively long and complex Lied such as 'Im Frühling', he and the admirable Oliver Pohl traverse all the points of the expressive compass, and all the nuances of dynamics that belong to them. In that surpassingly sincere and beautiful love-song 'An die Geliebte' they build to the climax from 'Von Tiefe dann zu Tiefen' with a confidence that bespeaks long familiarity with the piece.
Even better is the heartache they bring to 'Peregrina II' and 'Lebe wohl', where Wolf seems to enter into all the poet's suffering at the hands of a beloved. They also find the inner spirituality of the religion-inspired settings, such as 'Auf ein altes Bild' and 'Denk' es o Seele', the latter so compelling for saying so much in such a short time. In a quite different vein, they rise marvellously to the frenzied melodrama of 'Der Feuerreiter', always a challenge to singer and pianist and one that's surely met here.
A truthful recording adds to the disc's merits.
Not so the notes, which omit any exposition of the songs and also English translations. Even so, this is a recital that ought to convert even Wolf heretics to the cause.

October 2008

Still too little known outside Germany, Roman Trekel brings to his selection of 22 Mörike Lieder a voice of burnt umber, a scrupulous sense of style (including a true legato) and a probing imagination, whether in an eager wondering "Auf einer Wanderung" or a musing unmawkish "Verborgenheit".

Wolf: Mörike-Lieder (selections)

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