Saint-Saëns: Organ Symphony & Poulenc: Organ Concerto

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…it is a breathtaking achievement. There is passion, but precision, technically well-nigh faultless. — BBC Music Magazine, March 2008 More…

Release Date: 5th Feb 2007
Catalogue No: ODE1094-5
Label: Ondine
Length: 79 minutes

Building a Library

December 2007

First Choice

Barber: Toccata Festiva, Op. 36

Work length15:49

$4.00

$5.15

Olivier Latry (organ)
Philadelphia Orchestra
Christoph Eschenbach
Recorded: May 2006
Recording Venue: Verzion Hall, Philadelphia, United Staes

Poulenc: Concerto in G minor for Organ, Strings & Timpani

Work length25:13

$8.00

$10.40

Olivier Latry (organ)
Philadelphia Orchestra
Christoph Eschenbach
Recorded: May 2006
Recording Venue: Verzion Hall, Philadelphia, United Staes

I. Andante

Track length3:35

$1.00

$1.30

II. Allegro giocoso

Track length2:04

$1.00

$1.30

III. Subito andante moderato

Track length8:24

$2.00

$2.60

IV. Tempo allegro, molto agitato

Track length2:36

$1.00

$1.30

V. Très calme. Lent

Track length3:08

$1.00

$1.30

VI. Tempo de l'allegro initial

Track length1:47

$1.00

$1.30

VII. Tempo introduction. Largo

Track length3:39

$1.00

$1.30

Saint-Saëns: Symphony No. 3 in C minor, Op. 78 'Organ Symphony'

Work length38:01

$9.00

$11.60

Olivier Latry (organ)
Philadelphia Orchestra
Christoph Eschenbach
Recorded: May 2006
Recording Venue: Verzion Hall, Philadelphia, United Staes

I. Adagio - Allegro moderato

Track length10:38

$3.00

$3.85

I. Poco adagio

Track length11:32

$3.00

$3.85

II. Allegro moderato - Presto - Allegro moderato

Track length6:55

$1.00

$1.30

II. Maestoso - Allegro - Più allegro - Molto allegro - Pesante

Track length8:56

$2.00

$2.60

Reviews
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Reviews

March 2008

…it is a breathtaking achievement. There is passion, but precision, technically well-nigh faultless.

2010

Eschenbach's Poulenc is heavily romanticised, squeezing every last drop of pathos from the score and finding many moments of ravishing beauty. Latry is, for the most part, a willing accomplice – only in the swaying rhythm of the subito andante moderato do conductor and soloist seem at odds with each other – and while it is left to him to root out the music's austere and acerbic sides, he clearly relishes Eschenbach's slow tempi in reaching the work's two powerful climaxes.
This performance may miss many of Poulenc's subtleties in its single-minded striving for loveliness but the wildly enthusiastic cheering from the audience seems wholly justified given the unusual breadth of this reading.
The recording was made at the inaugural concerts of the new organ of Philadelphia's Verizon Hall, which included the almost obligatory Saint-Saëns Symphony. Properly, this is more a test of how well an organ integrates with an orchestra than a vehicle for the organ itself, and on those terms this proves to be a wholly successful performance. Eschenbach's intuitive reading casts the work in a rich perspective, the opening possessing a tangible atmosphere of menace while the second movement's Presto positively fizzes with energy.
The organ shows its stature (the booklet tells us that, with 6938 pipes, it is the largest concerthall organ in the US) with palpable depth in the first movement and majestic presence in the finale; but the real star of the show here is the Philadelphia Orchestra itself. Mouth-watering wind solos, gorgeous string-playing and a wonderfully crisp and cohesive sound (as it must be in what sounds a dreadfully dry acoustic) combine to create rather more memorable moments than we have a right to expect; the string entry just before the close of the first section is, as they say, to die for.

Saint-Saëns: Organ Symphony & Poulenc: Organ Concerto

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