Toby Spence and the Scottish Ensemble

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Toby Spence's singing in Dies Natalis is… rather special. On the one hand his musical phrasing is beautiful: the lines hover and soar just as they should. Yet at the same time he brings freshness... — BBC Music Magazine, April 2008, 5 out of 5 stars More…

Release Date: 28th Jan 2008
Catalogue No: WHLIVE0021
Label: Wigmore Hall Live
Length: 64 minutes

Finzi: Romance for string orchestra, Op. 11

Work length8:11

$1.60

$1.95

Scottish Ensemble, Jonathan Morton

Finzi: Dies natalis, Op. 8

Work length27:14

$5.80

$7.15

Scottish Ensemble, Toby Spence, Jonathan Morton

I. Intrada

Track length5:04

$1.05

$1.30

II. Rhapsody (Recitativo stromentato)

Track length7:26

$1.60

$1.95

III. The Rapture (Danza)

Track length4:00

$1.05

$1.30

IV. Wonder (Arioso)

Track length5:02

$1.05

$1.30

V. Aria (The Salutation)

Track length5:42

$1.05

$1.30

Walton: Sonata for String Orchestra

Work length28:36

$5.30

$6.50

Scottish Ensemble, Jonathan Morton

I. Allegro

Track length8:35

$1.60

$1.95

II. Presto

Track length4:23

$1.05

$1.30

III. Lento

Track length10:23

$1.60

$1.95

IV. Allegro molto

Track length5:15

$1.05

$1.30

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Taken from a concert at Wigmore Hall on 13 October 2007

Reviews

April 2008

Toby Spence's singing in Dies Natalis is… rather special. On the one hand his musical phrasing is beautiful: the lines hover and soar just as they should. Yet at the same time he brings freshness and fluidity to the recitative-like passages, combined with strong feeling for the expressive weight of each word, which gives these moments the urgency of impassioned speech.

2010

Tenor Toby Spence is the featured artist in this recital but the biggest work, taking up the second half of the programme, is Walton's Sonata for Strings, a fine work that has not been recorded nearly as often as it deserves. This is the piece, commissioned by Neville Marriner and the Academy of St Martin, that Walton brilliantly adapted from his String Quartet of 1947, making a work for strings in the great tradition of Elgar's Introduction and Allegro and Vaughan Williams's Tallis Fantasia.
Misleadingly, the Sonata opens with a passage for the string quartet alone, before developing into a full string piece when the opening theme is repeated. What comes out very clearly is not just how memorable Walton's thematic material is, but how clear the sonata-form structure is. In some ways this is the last of what one might regard as the pre-war Walton works, written when his partner, Alice, Lady Wimborne, was dying painfully of cancer.
The development section brings a strongly argued fugato, with the second-movement Scherzo, marked presto, bringing a dazzling arrangement of the quartet original. The slow movement is one of Walton's most beautiful, here given a deeply expressive performance by the Scottish Ensemble. Exceptionally for Walton, the reprise of the main material is extended, with the violas leading. The Allegro molto finale is vigorous with its cross rhythms and a more lyrical countersubject.
Toby Spence sings sensitively in Finzi's Diesnatalis, setting words by the mystic poet Thomas Traherne, starting with a prose poem entitled 'Rhapsody'. That leads to three more poems, with a vigorous, exhilarating movement, 'Wonder', separating the two more reflective movements.
It is among Finzi's finest works. The Romance for strings makes an attractive introduction to the programme. A first-rate issue.

April 2008

…the biggest work… is Walton's Sonata for Strings… The slow movement is one of Walton's most beautiful here given a deeply expressive performance by the Scottish Ensemble. Toby Spends sings sensitively in Finzi's Dies natalis… among Finzi's finest works. The Romance for strings makes an attractive introduction to the programme.

His vocalism was impressive, the rich sweetness and the legato line close to ideal for Finzi’s rapturous declamation

Toby Spence and the Scottish Ensemble

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