A tre violini

Catalogue No: CYP1633
Label: Cypres

Usually despatched in 4 - 5 working days

Purcell: Three Parts upon a Ground

Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Edouard Fantin, Dominique Ferran
Stradivaria
Daniel Cuiller

Marini, B: Sonata in echo

Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Edouard Fantin, Dominique Ferran
Stradivaria
Daniel Cuiller

Fontana, G B: Sonata 16

Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Edouard Fantin, Dominique Ferran
Stradivaria
Daniel Cuiller

Buonamente: Sonata a tre violini

Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Edouard Fantin, Dominique Ferran
Stradivaria
Daniel Cuiller

Rieck: Suite de danses No. 6

Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Edouard Fantin, Dominique Ferran
Stradivaria
Daniel Cuiller

Rieck: Suite de danses No. 8

Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Edouard Fantin, Dominique Ferran
Stradivaria
Daniel Cuiller

Frescobaldi: Partita sopra l'Aria di Follia

Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Edouard Fantin, Dominique Ferran
Stradivaria
Daniel Cuiller

Schmelzer: Sonata a 3 Violini

Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Edouard Fantin, Dominique Ferran
Stradivaria
Daniel Cuiller

Uccellini: Sinfonia nona a tre violini

Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Edouard Fantin, Dominique Ferran
Stradivaria
Daniel Cuiller

Pachelbel: Canon & Gigue

Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Edouard Fantin, Dominique Ferran
Stradivaria
Daniel Cuiller

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Around the start of the seventeenth century musical style in Europe underwent a remarkable transformation. During the first decades of the Baroque era, instrumental music underwent a deep transformation, the violin being central in the process. Composers, who were themselves violinists, expanded the technical limits of the instrument, developing a form of virtuosity with the bow that was very swiftly followed by an improvement of left-hand technique. The music for three violins and bass selected for this recording is typical of a XVIIth Century genre which disappeared rather quickly afterwards, although some remarkable works were still to be composed during the XVIIIth century. This selection, which borrows this repertoire to many different European countries, presents some of the most delighful Sonata's, ballets, chaconnes, fantasias, sinfonias and canon written.

A tre violini

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