Dvorák & Herbert - Cello Concertos - Erato: 5190352 - download

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Gautier Capuçon gives a richly lyrical and sympathetic account of Herbert's Concerto, reaching heights of eloquence in its beguiling slow movement and revelling in the virtuosity of the latter... — BBC Music Magazine, March 2009, 4 out of 5 stars More…

Release Date: 5th Jan 2009
Catalogue No: 5190352
Label: Erato
Length: 64 minutes

Gramophone Magazine

April 2009

Editor's Choice

Dvořák: Cello Concerto in B minor, Op. 104

Work length42:36

Album only

Gautier Capuçon (cello)
hr-Sinfonieorchester Frankfurt
Paavo Järvi
Recorded: 2008-05-13
Recording Venue: 5-7, 10 & 13 May, 2008 Radio Hall, Frankfurt. 8 & 9 May, 2008 Alte Oper, Frankfurt.

I. Allegro

Track length16:19

Album only

II. Adagio ma non troppo

Track length12:45

Album only

III. Finale (Allegro moderato)

Track length13:32

Album only

Herbert, V: Cello Concerto No. 2 in E minor, Op. 30

Work length22:15

$3.90

$5.10

Gautier Capuçon (cello)
hr-Sinfonieorchester Frankfurt
Paavo Järvi
Recorded: 2008-05-13
Recording Venue: 5-7, 10 & 13 May, 2008 Radio Hall, Frankfurt. 8 & 9 May, 2008 Alte Oper, Frankfurt.

I Allegro impetuoso

Track length8:19

$1.30

$1.70

II Andante tranquillo

Track length7:55

$1.30

$1.70

III Allegro

Track length6:01

$1.30

$1.70

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About

For his second solo recording, after his critically acclaimed recording of Haydn’s Cello Concertos (which inaugurated his exclusive recording contract with VC in 2003), Gautier Capuçon tackles Dvorak’s masterpiece for cello (his only cello concerto), and couples it with that of an unfortunately under-reputed composer of the era.

Gautier Capuçon is accompanied by Paavo Järvi who directs the Frankfurt Radio Symphony Orchestra, to which Paavo Järvi has is music director since September 06.

Dvorák wrote the concerto while in New York for his third term as the Director of the National Conservatory after having listened to Victor Herbert’s (a fellow teacher at the Conservatory) second cello concerto in 1894. Up till then Dvorák had always refused, stating that the cello was a fine orchestral instrument but totally insufficient for a solo concerto.

Victor August Herbert (February 1, 1859 – May 26, 1924) was a cellist, conductor and composer of light opera. His Cello Concerto is a new asset to Virgin Classics’ catalogue. Quite rarely recorded, it isn’t today available on either VC’s or EMI Classics’ catalogue - Julian Lloyd Webber’s recording with Charles Mackerras and the London Symphony Orchestra on EMI isn’t available at this date.

‘Gautier Capuçon plays the cello with the control and wisdom of a much older musician. The lightness of his touch and the consistent clarity of his bow strokes are quite admirable in themselves, but when combined with an uncanny sweetness of tone in the higher registers they are breathtaking.’ Gramophone

Reviews

March 2009

Gautier Capuçon gives a richly lyrical and sympathetic account of Herbert's Concerto, reaching heights of eloquence in its beguiling slow movement and revelling in the virtuosity of the latter parts of the finale.

2010

Though the name of Victor Herbert is nowadays associated above all with Broadway musicals like Naughty Marietta, Herbert was in fact a multi-talented musician, one of the world's leading cello virtuosos of the time and the composer of two cello concertos which greatly influenced Dvorák in the United States to write his supreme masterpiece.
That makes this coupling of Dvorák's Cello Concerto with the second and finer of Herbert's an apt one, and Gautier Capuçon gives distinc- tive, characterful and intense performances of both works, well supported by Paavo Järvi and the Frankfurt orchestra, especially strong in its brass section.
In the Dvorák the fruity-toned Frankfurt horn gives a beautiful account of the great second-subject melody even though it is dangerously slow. In the exposition with soloist, Capuçon takes that section a fraction faster and the result is magical.
As in the Herbert the slow movement is deeply elegiac, while the incisive finale leads to a dedicated account of the beautiful epilogue. Altogether a version of this much-recorded work which stands comparison with any in the catalogue, made the more attractive by the coupling.

April 2009

…Gautier Capuçon gives distinctive, characterful and intense performances of both works, well supported by Paavo Järvi and the Frankfurt orchestra, especially strong in its brass section. In the Dvorák the fruity-toned Frankfurt horn gives a beautiful account of the great second-subject melody... In the exposition with soloist, Capuçon takes that section a fraction faster and the result is magical. As in the Herbert the slow movement is deeply elegiac, while the incisive finale leads to a dedicated account of the beautiful epilogue.

6th February 2009

Gautier Capuçon's account of the Herbert that makes the bigger impression. He captures the work's rhapsodic ambitions and the lyrical charm of its slow movement perfectly, whereas his reading of the Dvorák seems a bit withdrawn and underpowered. Anyone wanting a definitive recording of the Dvorák has plenty to choose from elsewhere, but for the Herbert this version just about has it all.

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Dvorák & Herbert - Cello Concertos

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