Motets Croisés: Recorded at Abbaye Bénédictine de Pradines and at Collégiale Saint-Jean Baptiste de Roquemaure, France 2004

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Release Date: 5th Oct 2009
Catalogue No: GCDP32303
Label: Glossa
Series: Platinum
Length: 63 minutes

Usually despatched in 3 - 4 working days

Leguay: Pater noster

Work length4:43

$1.00

$1.30

Dominique Vellard (tenor), Jean-Pierre Leguay (organ)

Monteverdi: O quam pulchra es

Work length4:43

$1.00

$1.30

Dominique Vellard (tenor), Jean-Pierre Leguay (organ)

O quam pulchra (O how beautiful)

Track length4:43

$1.00

$1.30

Frescobaldi: Fiori Musicali

Work length5:15

$2.00

$2.60

Jean-Pierre Leguay (organ)

Toccata avanti il recercar

Track length1:21

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Toccata per l'elevatione

Track length3:54

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Leguay: Alleluia

Work length12:00

$3.00

$3.90

Jean-Pierre Leguay (organ), Dominique Vellard (tenor)

Alleluia

Track length4:12

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$1.30

Alleluia (instrumental version)

Track length7:48

$2.00

$2.60

Schütz: Kleine Geistliche Konzerte SWV282-337

Work length3:27

$1.00

$1.30

Jean-Pierre Leguay (organ), Dominique Vellard (tenor)

Kleiner geistlichen Concerten, Part II, Op. 9, SWV 306-337: O Jesu, nomen dulce, SWV 308

Track length3:27

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Fiori Musicali

Work length1:51

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$1.30

Fiori Musicali: Canzon dopo la Pistola

Track length1:51

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Monteverdi: Salve Regina

Work length3:52

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$1.30

Jean-Pierre Leguay (organ), Dominique Vellard (tenor)

Fiori Musicali

Work length6:48

$2.00

$2.60

Canzon quarti toni doppo il post comune

Track length3:13

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$1.30

Recercar con obligo del Basso come appare

Track length3:35

$1.00

$1.30

Leguay: Secundum Matthaeum

Work length21:07

Album only

Jean-Pierre Leguay (organ), Dominique Vellard (tenor)

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In the 30th anniversary year of Ensemble Gilles Binchois, Dominique Vellard is more active than ever. Following his arrival at Glossa in 2007 he is alternating projects of 'straight' medieval music such as the recent L'Arbre de Jessé, with his involvement in new forms of musical expression such as Vox Nostra Resonet. Motets Croisés belongs precisely to the more adventurous aspect of Vellard's art: here he collaborates with Jean-Pierre Leguay, titular organist at Notre-Dame de Paris, and also a notable improviser on the organ. Motets by Monteverdi and Schütz are interspersed with instrumental pieces by Frescobaldi plus compositions from Leguay himself, conjuring up a fascinating sound tapestry, in which the clear and radiant voice of Vellard and dazzling organ interventions from Leguay are vividly highlighted.

Motets Croisés

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