Sgambati: Complete Piano Works Vol. 7

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Release Date: 3rd Mar 2014
Catalogue No: TC841907
Label: Tactus
Series: Sgambati The Complete Piano Works
Length: 57 minutes

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Sgambati: Sinfonia festosa

Work length10:16

$3.00

$3.85

Francesco Caramiello, Francesco Libetta

Allegro - Andante - Tempo I (Version for Piano 4 Hands)

Track length10:16

$3.00

$3.85

Sgambati: Gondoletta in G Major (First Version of Op. 36, No. 4)

Work length2:03

$1.00

$1.30

Francesco Caramiello

Sgambati: Moderato - Più moderato - Lento in A-Flat Major

Work length1:35

$1.00

$1.30

Francesco Caramiello

Sgambati: Motivi in D-Flat Major

Work length2:01

$1.00

$1.30

Francesco Caramiello

Sgambati: Serenatina in E Major

Work length1:19

$1.00

$1.30

Francesco Caramiello

Sgambati: Gavotte in G Minor, Op. 14

Work length4:35

$1.00

$1.30

Francesco Caramiello

Bach, J S: Overture No. 2 in B Minor, BWV 1067

Work length25:12

$8.00

$10.40

Francesco Caramiello

I. Ouverture (Arr. G. Sgambati for Piano)

Track length9:56

$2.00

$2.60

II. Rondeau (Arr. G. Sgambati for Piano)

Track length2:17

$1.00

$1.30

III. Sarabande (Arr. G. Sgambati for Piano)

Track length3:32

$1.00

$1.30

IV. Bourrée I-II (Arr. G. Sgambati for Piano)

Track length2:46

$1.00

$1.30

V. Polonaise (Arr. G. Sgambati for Piano)

Track length3:23

$1.00

$1.30

VI. Menuet (Arr. G. Sgambati for Piano)

Track length1:37

$1.00

$1.30

VII. Badinerie (Arr. G. Sgambati for Piano)

Track length1:41

$1.00

$1.30

Sgambati: Nocturne in G Major

Work length4:48

$1.00

$1.30

Francesco Caramiello

Sgambati: Nocturne in B Major, Op. 3, "Per l'album di Bellini"

Work length5:42

$1.00

$1.30

Francesco Caramiello

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This seventh and last volume of the complete piano works of Sgambati, who was one of the most authoritative of Liszt’s pupils and an extraordinary leading force in the musical life of Rome in the second half of the nineteenth century, is a supplementary appendix and presents a general survey of all the sides of Sgambati’s creativity.

It contains almost exclusively unpublished pieces, including his last Notturno, the transcription for four hands of his first important symphonic work (the Sinfonia Festosa, played by Francesco Caramiello and Francesco Libetta), and an unpublished, brilliant piano version of Bach’s Suite in B minor BWV1067 that follows the great tradition of Liszt’s school, alongside the well-known transcriptions by Tausig, d’Albert and Siloti. Here Sgambati avoids the allurement of a lofty sonorousness, and prefers a limpid texture and bright overall resonance, differing from the contemporary transcriptions by Martucci and the later ones by Busoni, which were characterised by a massive orchestral writing. Sgambati’s transcription preserves the clarity of the contrapuntal structure, without any concession to grandiosity of sound.

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