Schizzi Di Orlando Furioso

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Release Date: 28th Apr 2014
Catalogue No: NEOS11306
Label: Neos
Length: 66 minutes

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Brice Pauset, Barry Guy, D.M. Visotsky, Beatrice Zawodnik, Leonardo Garcia Alarcon: Schizzi di Orlando furioso

Work length1:06:12

$26.00

$33.80

Brice Pauset, Barry Guy, D.M. Visotsky, Beatrice Zawodnik, Leonardo García Alarcón

Schizzo I (Canto WV 82, 83)

Track length3:17

$1.00

$1.30

Schizzo II

Track length3:46

$1.00

$1.30

Schizzo III

Track length3:44

$1.00

$1.30

Schizzo IV

Track length2:55

$1.00

$1.30

Schizzo V (Canto XXIII 128)

Track length1:59

$1.00

$1.30

Schizzo VI

Track length1:39

$1.00

$1.30

Schizzo VII

Track length2:42

$1.00

$1.30

Schizzo VIII

Track length3:09

$1.00

$1.30

Schizzo IX

Track length2:57

$1.00

$1.30

Schizzo X

Track length1:51

$1.00

$1.30

Schizzo XI

Track length2:43

$1.00

$1.30

Schizzo XII

Track length2:25

$1.00

$1.30

Schizzo XIII

Track length2:23

$1.00

$1.30

Schizzo XIV

Track length2:06

$1.00

$1.30

Schizzo XV (Canto XXXIV 65)

Track length2:19

$1.00

$1.30

Schizzo XVI

Track length2:22

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$1.30

Schizzo XVII

Track length2:32

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Schizzo XVIII

Track length1:11

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Schizzo XIX

Track length2:29

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Schizzo XX

Track length1:48

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Schizzo XXI

Track length1:50

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Schizzo XXII

Track length2:21

$1.00

$1.30

Schizzo XXIII

Track length2:17

$1.00

$1.30

Schizzo XXIV

Track length3:01

$1.00

$1.30

Schizzo XXV

Track length1:19

$1.00

$1.30

Schizzo XXVI (Canto XV 82, 83)

Track length5:07

$1.00

$1.30

About
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About

At first glance, it seems remarkable that present-day musicians allow themselves to be inspired by a literary work that seems so remote from our time as does the epic poem Orlando furioso by Ludovico Ariosto, written from 1505 onwards.

The conception of the Schizzi di Orlando furioso is to be understood as a kind of glance into the mirror: Béatrice Zawodnik, D. M. Visotzky, Barry Guy, Brice Pauset and Leonardo García Alarcón allow themselves to be stimulated by Ariosto’s verses to create a multifarious succession of 26 short pieces for solo, duo, trio and quartet combinations. Their essential elements include the collision of varying idioms and stylistic traits resulting from the respective areas of activity of the participating musical personalities. Due to this type of action, opposing areas of musical discourse – namely those of the New Music, jazz and the sacred realm – enter into relationships with each other or overlap each other, resulting in a multi-layered texture at times having the effect of a labyrinth.

Schizzi Di Orlando Furioso

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