Cifras Imaginarias - Musica Para Taner A Dos Vihuelas - Arcana: A428 - CD or download

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Release Date: 24th Mar 2017
Catalogue No: A428
Label: Arcana
Length: 53 minutes

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Josquin: Illibata Dei Virgo Nutrix

Work length7:36

$1.50

$2.30

$3.05

Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Willaert: Ricercar 7

Work length2:18

$1.00

$1.50

$2.05

Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Crecquillon: Mor me a prive (Arr. by Francisco Fernández Palero)

Work length2:44

$1.00

$1.50

$2.05

Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Segni da Modena: Ricercar

Work length2:12

$1.00

$1.50

$2.05

Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Cabezón, A: Un gay bergier

Work length3:04

$1.00

$1.50

$2.05

Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Verdelot: Italia mia

Work length3:35

$1.00

$1.50

$2.05

Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Cabezón, A: Pavana italiana

Work length3:21

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$1.50

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Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Josquin: Dulces exuviae

Work length3:13

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$1.50

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Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Canova da Milano: Fantasia, Op. 82

Work length1:39

$1.00

$1.50

$2.05

Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Fernandez Palero: Passeavase el rey moro

Work length1:00

$1.00

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Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Sermisy: Dont vient cela (Arr. by Antonio de Cabezón)

Work length3:02

$1.00

$1.50

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Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Verdelot: Ultimi mei sospiri

Work length2:36

$1.00

$1.50

$2.05

Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Canova da Milano: Fantasia, Op. 22

Work length1:55

$1.00

$1.50

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Jacob Heringman
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

anon.: Y con qué la lavaré

Work length2:15

$1.00

$1.50

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Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Vasquez, J: Dizen a mí que los amores he

Work length2:29

$1.00

$1.50

$2.05

Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Vasquez, J: De los álamos vengo, madre

Work length1:56

$1.00

$1.50

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Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Josquin: Pater Noster

Work length4:56

$1.00

$1.50

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Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

Josquin: Ave Maria

Work length3:21

$1.00

$1.50

$2.05

Jacob Heringman, Ariel Abramovich
Recorded: 2-4 September 2014
Recording Venue: Holy Trinity Church, Weston, Hertfordshire, England, United Kingdom

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A leading vihuela specialist, the Argentinian virtuoso Ariel Abramovich has already devoted two albums to the favourite instrument of the Iberian Renaissance, the first on Arcana (Esteban Daça, El Parnasso, A316, 2002) and the second on Carpe Diem (Diego Pisador, Si me llaman, 2009). For this third instalment he is joined by one of the world’s most respected and innovative solo lutenists, Jacob Heringman, for a vihuela duo project which is the result of years of research and performing. While there is a significant number of publications for two lutes from the sixteenth century, only one of the seven collections for vihuela de mano includes duets, and it is precisely that collection that was the main source of inspiration for this project. The performers, both highly experienced with intabulations of sixteenth-century music, decided to recreate an ‘imaginary’ book of vihuela duets, following the taste and practice of the ancient masters, who through a notation system of ‘numbers’ used to arrange works by the composers they listened to and played. Cifras Imaginarias is the poetic name they have given to an imaginary music collection of vihuela duos of the kind that might have been published in the mid-sixteenth century.

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