Carl Czerny & Max Bruch: Concertos for Piano Duo & Orchestra

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Release Date: 27th Apr 2018
Catalogue No: 555090-2
Label: CPO
Length: 60 minutes

Usually despatched in 3 - 4 working days

Czerny: Concerto for Piano 4 Hands in C Major, Op. 153

Work length27:43

$7.00

$9.00

Piano Duo Genova & Dimitrov, Genesis Orchestra
Yordan Kamdzhalov
Recorded: 6-8 September 2016
Recording Venue: First Studio of the Bulgarian National Radio, Bulgaria

I. Allegro con brio

Track length11:39

$3.00

$3.85

II. Adagio espressivo

Track length5:22

$1.00

$1.30

III. Rondo alla polacca

Track length10:42

$3.00

$3.85

Bruch: Fantaisie for 2 Pianos in D minor, Op. 11

Work length10:25

$3.00

$3.85

Piano Duo Genova & Dimitrov

Bruch: Concerto for 2 Pianos in A flat minor, Op. 88a

Work length22:41

$5.00

$6.50

Piano Duo Genova & Dimitrov, Bulgarian National Radio Symphony Orchestra
Yordan Kamdzhalov
Recorded: 18-20 May 2015
Recording Venue: First Studio of the Bulgarian National Radio, Bulgaria

I. Andante sostenuto

Track length4:05

$1.00

$1.30

II. Andante con moto - Allegro molto vivace

Track length5:58

$1.00

$1.30

III. Adagio ma non troppo

Track length5:05

$1.00

$1.30

IV. Andante - Allegro

Track length7:33

$2.00

$2.60

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The Genova & Dimitrov Piano Duo was awarded the Echo Klassik in 2017 for the CD Bela Bartok und Viktor Babin – Concertos for Two Pianos (cpo) with the Bulgarian National Radio Symphony Orchestra under the conductor Yordan Kamdzhalov. And the new release by these artists is destined to become another one of their highlights: concertos for piano duo by Carl Czerny and Max Bruch. Carl Czerny and Max Bruch in one program? At first glance this is a very improbable encounter inasmuch these two names suggest the opposite ends of the musical spectrum. On the one side, an even-tempered master of piano courses and etudes with a virtually baroque self-understanding enabling him to compose everything for which he received an order; on the other side, a fiery arch-romanticist for whom every work involved a struggle with demons. And yet these extreme positions from the nineteenth century fit together perfectly. Here we have a concerto for four hands for a social occasion, there we have a panoramic pictorial suite for two virtuoso pianists, and in the middle there is a rarity with which the young Max Bruch referred to a genius without whom neither he nor Carl Czerny would have become what they became: to Johann Sebastian Bach.

Carl Czerny & Max Bruch: Concertos for Piano Duo & Orchestra

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