Browse: Adam Fischer Mozart Symphonies (series)

doubts don't seem to trouble Adam Fischer, infectiously alive to interpretative possibilities, a positive feel for style (violins are separated) and a sharp ear for ensemble balance...Fischer's... — Gramophone Magazine, December 2011 More…

Fischer grabs instant attention...turning the first-movement Allegro assai into a curtain-raiser of a kinetic excitement that could have run away with itself. But Fischer is in unqualified control,... — Gramophone Magazine, February 2013 More…

Fischer gets his orchestra to play with fierce intensity, so that works which usually seem accomplished but conventional take on a fresh complexion. — BBC Music Magazine, April 2010, 5 out of 5 stars More…

Fischer appreciates the importance of a secure bass-line...[he] and his enthusiastic Danish players imbue this youthful music with spirit and energy; they make the most of what's in front of... — Gramophone Magazine, November 2013 More…

Fischer's Danish players perform with energy, a certain refreshing rawness and, when required, a nicely tapering phrase. The recording is quite close and detailed but not oppressive. — BBC Music Magazine, July 2010, 4 out of 5 stars More…

Fischer impels the opening Allegro spiritoso [of No. 28] with a wealth of nervous energy...later in the work producing beautifully caressing phrases in the muted violin Andante...The symphonies... — International Record Review, March 2011 More…

we are on familiar Fischer ground in performances that occasionally feel rather too driven...Fischer's interventions will please or appal depending on whether or not you take to his idiosyncrasies...If... — Gramophone Magazine, January 2014 More…

the resonant acoustic can soak up the oboes and horns in the tuttis. But if you want these symphonies on modern instruments, played with elan, sensitivity (not least in the exquisitely realised... — Gramophone Magazine, September 2013 More…