Browse: Richard Strauss Tone Poems (series)

The woodwind-playing is brilliantly characterful and vivid; the strings, more silky than velvety, are no less alive and responsive, and Roth coaxes some exquisitely tender phrasing from them...Above... — Gramophone Magazine, April 2017 More…

the combination of his muscly, forward-moving approach, with not an ounce of fat on it, and perhaps most stunning engineering accorded to the master orchestrator yet, mean that both the mock-epic... — BBC Music Magazine, October 2013, 4 out of 5 stars More…

I have rarely heard [Till Eulenspiegel] played better. ..The opening is immediately seductive...yet Roth also catches the humour of the rogue's final forced departure...Roth directs all three... — Gramophone Magazine, January 2014 More…

The unobtrusive star of the show is the Freiburg Concert Hall recording, so spacious and natural. Apart from an occasional lack of warmth in the strings, the orchestra sounds first-rate. Roth... — BBC Music Magazine, January 2015, 3 out of 5 stars More…