Browse: anon. - When Daphne from fair Phoebus did fly
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Vestiva explores how the art of embellishment revolutionised instrumental music in the 16th and 17th centuries, allowing performers to openly flaunt both their virtuosic and improvisatory skills... — More…
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The Queen's Delight
English Songs and Country Dances of the 17th and 18th Centuries
Les Musiciens de Saint-Julien, Fiona McGown, Enea Sorini, Nick Scott
François Lazarevitch
There is something refreshing and inviting about this recording. The program is engrossing, moving seamlessly through a diverse slate of songs, dances, and other varia. The constantly changing... — More…
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My mind to me a kingdom is
David Cordier (countertenor), Stephen Stubbs (lute), Andrew Lawrence-King (harp), Nancy Hadden (flute)
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Terpsichore: Muse of the Dance
Dances by Michael Praetorius and William Brade
Julien Martin (recorder) & Doron Sherwin (cornetto)
Capriccio Stravagante Renaissance Orchestra
The pleasure principle might be uppermost here, but that doesn't preclude a playful sophistication, as well as seductive sobriety. The players improvise exuberantly, as if at some Renaissance... — More…
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Eyck, Jacob Van: A Fnlemnle / The Nightingale: Renaissanc
Gyorgy Robert (zurna), Laszlo Czidra (recorder), Daniel Benko (guitar), Melinda Lugosi (soprano)
Lassus Vocal Ensemble
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Infernum In Paradise
Consort Songs & Music
Eugénie Warnier (soprano)
Musicall Humors, Julien Léonard (direction)
A seductively programmed and sumptuously realised anthology of music for viol consort and voice that conveys the Elizabethan psyche in all its melancholy and amorous playfulness. Pity the words... — More…
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Memorandum XXI
Capriccio Stravagante, Capriccio Stravagante Renaissance Orchestra & Capriccio Stravagante Les 24 Violons, Skip Sempé
The harpsichord playing on CD4 is absolutely top class. — More…
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