Browse: Tchaikovsky - Uzh polnoch' blizitsya (from Pique Dame)
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Olga Borodina - Portrait
Olga Borodina (mezzo-soprano), with Dmitri Hvorostovsky as Figaro, With Dmitri Hvorostovsky, Larissa Gergieva (piano), Semyon Skigin (piano)
Orchestra of Welsh National Opera, English Chamber Orchestra, Kirov Orchestra and Chorus, Mariinsky Theatre, St Petersburg, Chorus & Orchestra of the...
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Tchaikovsky: Vocal Duets
Olga Guryakova (soprano), Marina Domashenko (mezzo-soprano), Vsevolod Grivnov (tenor), Elena Manikhina (mezzo-soprano)
Russian Philharmonia Orchestra, Russian Philharmonia, Russia Spiritual Revival Choir, Constantine Orbelian
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Russian Songs and Arias
Dinara Alieva (soprano)
New Russia State Symphony Orchestra, Dmitry Yablonsky
Judging by this debut recital she seems well equipped to pursue a glorious career for years to come. Rachmaninov’s ubiquitous Vocalise is as good a test as any song or aria when it comes to voice... — More…
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Con tutta la Forza
Miroslav Dvorsky (tenor), Tatiana Teslia (soprano)
Moravian Philharmonic Orchestra, Olomouc, Czech Philharmonic Choir, Brno, Milan Kanak
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Great Operatic Arias 21 - Cheryl Barker Sung in English
Cheryl Barker (soprano), Gillian Keith (Masha), William Dazeley (Silvio), William Dazeley (Maurice), Gillian Keith (Zdenka), William Dazeley (Mandryka)
London Philharmonic Orchestra, David Parry
Anguish… the keynote, coming across best in Margarita's prison aria from Boito's Mefistofele and Lisa's midnight soliloquy in Tchaikovsky's Queen of Spades. — More…
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Mirella Freni: Opera Arias 1963 - 1995 Digitally remastered from Austrian Radio 1963–1995
Mirella Freni (soprano), Gianni Raimondi (Rodolfo), Plácido Domingo (Rodolfo), Alberto Rinaldi (Marcello), Luciano Pavarotti (Rodolfo), Orazio Mori (Schaunard), Margarita Guglielmi (Musetta), Wolfgang Brendel (Marcello), Peter Dvorsky (Des Grieux), Luis Lima (Don Carlo), Plácido Domingo (Otello),...
the spontaneity of the theatre brings a special vividness to all of these interpretations...Freni portrays every character very touchingly indeed, especially Elisabetta...[She] blazes through... — More…
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Stoyanova's solid technique and distinctive ability to characterise more through vocal intensity than colour suits a repertoire which constitutes a guide to Slavic melancholy...the version of... — More…
Awards:
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Opera, January 2012, Recording of the Month
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