Browse: Debussy - L'Enfant prodigue: Cortege et Air de danse

Denève still summons a sensuous bloom in the Prélude, and thanks to his influence, the RSNO proves better than the French at their own game: these are among the most seductive Debussy performances... — Financial Times, 9th June 2012, 4 out of 5 stars More…

Played like this, with every phrase pulsating with life-enhancing radiance and choreographic intensity, these magical scores caress the senses as rarely before...Märkl is a master Debussyan,... — Classic FM Magazine, November 2010, 5 out of 5 stars More…

Superbly played, and with a typical Beecham blend of beauty, warmth and sparkling fun, it is a joy from beginning to end — BBC Music Magazine, December 2010, 5 out of 5 stars More…

for Debussy completists this issue is self-recommending. — MusicWeb International, 2nd September 2013 More…

The French accent he found for the RPO in Bizet's L'Arlesienne Suites is still deliciously colourful 55 years on. This is the box to explore first if you're a fan of Beecham's lollipops...no... — Gramophone Magazine, July 2011, 4 out of 5 stars More…

The great thing about Beecham’s conducting of such pieces as the dances from Samson and Delilah is that he enjoyed himself so enormously and, of course, he had an unbounded ability to make his... — Gramophone Magazine More…