Browse: Noriko Kawai (piano)
This page lists all recordings performed by Noriko Kawai.
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The book teems with subtle cross-references, like the sudden reappearance in the last volume of the
amamzingly Debussian gesture that launched the whole cycle. There are other echoes, too, from... — More…Awards:
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Gramophone Magazine, September 2004, Editor's Choice
2 CDs
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Gerald Barry - Chamber Music
Noriko Kawai (piano), Nua Nos (piano), Michael D'Arcy (violin)
Dairine Ni Mheadhra
CD
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Pastures New - Sampler
William Howard (piano), Alexander Baillie (cello), Andrew Ball (piano), Mary Wiegold (soprano), Mstislav Rostropovich (cello), Noriko Kawai (piano), Jane Manning (soprano), Peter Serkin (piano), Martin Robertson (saxophone), Christopher van Kampen (cello), Peter Pears (tenor)
BBC Symphony Orchestra,...
CD
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New Music Collections Vol. 4 - Piano
Thalia Myers (piano), Ian Pace (piano), Noriko Kawai (piano), Rolf Hind (piano), Melvyn Tan (piano), Huw Watkins (piano), Michael Finnissy (piano), Nicky Losseff (piano), Jonathan Powell (piano), Philip Mead (piano), Stephen Montague (piano), Susan Bradshaw (piano), Phyllis Sellick (piano), Roger...
A fascinating survey of contemporary (or near contemporary) piano works, played by expert interpreters, including several of the composers themselves. — More…
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Janet Maguire: Mist
Guido Facchin (percussion), Raffaelle Artuso (bass), Liu Fang (zheng), Davide Teodoro (clarinet), Serena Mancuso (cello), Annunziata Dellisanti (percussion), Cinzia Honorat (percussion), Noriko Kawai (piano), Alessia Toffanin (piano), Alessandro Fagiuoli (violin), Andrea Amendola (viola), Anna Barutti...
Maguire's voice, as represented here, is idiosyncratic, drawing in unpredictable but deeply effective ways from the full range of contemporary idioms. ...Maguire marshals these seemingly disparate... — More…
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James Dillon - The Soadie Waste
Irvine Arditti (violin), Noriko Kawai (piano) & Hiroaki Takenouchi (piano)
Arditti Quartet
The 27-year period covered by this group of compositions, taking James Dillon from his mid-twenties to his early fifties, could hardly fail to outline substantial changes. Dillug-Kefitsah (1976)... — More…
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