Browse: Sergio Azzolini (bassoon)
This page lists all recordings performed by Sergio Azzolini.
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It’s hard to imagine a more passionate advocate for these works than Sergio Azzolini, who brings fiendish agility to the fast movements and makes his instrument sigh and sing in the pathos-laden,... — More…
Awards:
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Presto Editor's Choice, April 2021
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International Classical Music Awards, 2022, Nominated - Baroque Instrumental
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František Jiránek: Concertos and Sinfonias Collegium Marianum (period instruments), Jana Semerádová
After the thoroughly professional and exploratory earlier volumes of the 'Music from 'Eighteenth-Century Prague' series, I expected this to be a worthwhile recording; but the music of the hitherto... — More…
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Antonín Reichenauer: Concertos Sergio Azzolini (bassoon), Lenka Torgensen (violin), Xenia Löffler (oboe)
Collegium 1704, Václav Luks (artistic director)
Reichenhauer's was a fluent, likeable, if not specially distinctive talent...All the soloists play with skill and spirit — More…
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Kozeluch: Concertos and Symphony
Sergio Azzolini (bassoon), Camerata Rousseau, Giovanni de Angeli (oboe)
Leonardo Muzii
A contemporary of Mozart, Kozeluch doesn’t make any attempt to tug at the heart strings in these works. They are, however, gloriously convivial, and performed here with brio aplenty. Perfect... — More…
Awards:
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International Classical Music Awards, 2022, Nominated - Assorted Programs
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the utter master of the instrument, and surmounts the technical difficulties works such as the present six concertos pose to lesser mortals with enviable ease … all lovers of Baroque music will... — More…
Awards:
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Gramophone Magazine, April 2013, Editor's Choice
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Jiránek: Music from Eighteenth-Century Prague Sergio Azzolini (bassoon), Xenia Loffler (oboe), Jana Semeradova (transverse flute), Lenka Torgersen (violin), Vojtech Semerad (viola d’amore)
Collegium Marianum
Collegium Marianum…play with punch and attention to detail — More…
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The performance by the Kirchheimer BachConsort is quite fine. Conductor Florian Heyerick keeps his tempos at a pace that is fluid but neither too rapid nor too lethargic. This allows for the... — More…
2 CDs
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Like many [Azzolini] makes bold strokes...but there is never a hint of gratuitousness or bad taste. In music that everyone knows can sound routine, he shapes and characterises every movement,... — More…
Awards:
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Diapason d’Or de l’Année, 2010, Winner - Musique Baroque Instrumentale
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The Sinfonias, variously scored for flutes, oboes, bassoon and horns, are sparkling affairs which demonstrate Hertel’s gift as a colourist. The Scherzo of the G major Sinfonia, with its decidedly... — More…
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