Miriam Allan
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New,
J. S. Bach: A Life in Music Vol. 1 RecommendedArnstadt & Mühlhausen (1703-1708), Early Cantatas
Paul Agnew, Les Arts Florissants, Benjamin Alard
With just one or two to a part, each musician is a leader here. The purity of the singers’ straight tones and the immediacy and depth of their individual reactions to lexical meaning are bracing,... — More…
Awards:
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Presto Recording of the Week, 5th April 2024
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There are some delightfully sparkling and engaging displays here...recordings of Monteverdi's very early madrigals are rare and this surpasses some...if not all. — More…
Awards:
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Gramophone Magazine, July 2015, Editor's Choice
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Gramophone Awards, 2016, Winner - Baroque Vocal
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Les Arts Florissants’ elasticity of expression brings out a particularly lucid evocation of rolling waves and ‘sweet harmony’ in the concluding eight-voice ‘Vasto mar, nel cui seno fan soave... — More…
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Offer, The French Album London Choral Sinfonia, Nick Pritchard, Miriam Allan, James Orford, Michael Waldron
CD
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Offer,
Handel: Caio Fabriccio, Hwv A9 London Early Opera, Bridget Cunningham, Fleur Barron, Morgan Pearse
Cunningham directs Caio Fabbricio brilliantly, leading from the harpsichord to energise the other players, and to give them space to exploit juicy passages. The singers’ virtuosity and rich characterisations... — More…
2 CDs
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Mozart: Requiem, Inter natos mulierum & Misericordias Domini
Miriam Alexander (soprano), Anne Buter (mezzo-soprano), Marcus Ullmann (tenor), Martin Snell (bass)
Leipsiz Chamber Orchestra & Chamber Choir, Morten Schuldt-Jensen
CD
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The Wonders of the World (Masque)
Music by Maynard, Morley, Dowland, Playford, Brade & Locke
Miriam Allan (soprano) & Rob Wyn Jones (narrator)
Echo du Danube
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Cavalli: Giasone (Live)
David Hansen (Giasone), Celeste Lazarenko (Medea), Miriam Allan (Isifile), Andrew Goodwin (Egeo), Christopher Saunders (Demo), David Greco (Orestes), Nicholas Dinopoulos (Ercole), Adrian McEniery (Delfa), Alexandra Oomens (Alinda); Orchestra of the Antipodes, Erin Helyard
A great deal of thought has gone into the articulation of each number, and the percussive tutti chords in Medea’s ‘Dell’antro magico …’ are startling. While Giasone himself remains a handsome... — More…
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Vivaldi: Griselda, RV718
Tobias Cole (Roberto), Miriam Allan (Costanza), David Hansen (counter-tenor), Christopher Saunders (Gualtiero), Caitlin Hulcup (Griselda), Russell Harcourt (Corrado)
Orchestra of the Antipodes
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