Peter Rose
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Dvořák: Stabat Mater, Op. 58
Janice Watson (soprano), Dagmar Pecková (mezzo soprano), Peter Auty (tenor) & Peter Rose (bass)
London Philharmonic Orchestra and Choir, Neeme Järvi
Peter Rose's commanding resonance is full of warmth. Janice Watson floats with a beautiful ease...From an orchestral point of view this performance is a triumph, with flawless playing. The LPO... — More…
CD
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Dvořák: Requiem, Op. 89
Lisa Milne (soprano), Karen Cargill (mezzo soprano), Peter Auty (tenor) & Peter Rose (bass)
London Philharmonic Orchestra and Choir, Neeme Järvi
All the virtues of Järvi's approach come together… in the Agnus Dei: beautifully paced and crafted, the performance captures superbly the radiance of Dvorák's vision of the hereafter. — More…
Awards:
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Gramophone Magazine, January 2010, Editor's Choice
2 CDs
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Davis was seemingly Berlioz’s disciple on earth, and this was the glorious late flowering of his love for the composer…Les Troyens crackles with a theatricality that outshines even the pioneering... — More…Awards:
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International Classical Music Awards, 2019, Nominee - Best Collection
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Berlioz: L'Enfance du Christ, Op. 25
Yann Beuron (narrator/centurion), Karen Cargill (Marie), William Dazeley (Joseph), Matthew Rose (Herod) & Peter Rose (Father/Polydorus)
London Symphony Orchestra & Tenebrae Choir, Sir Colin Davis
Yet having already recorded to excellent versions of this intimate, gently luminous masterpiece… what more can Davis add? Not improvement, perhaps, but a different approach. …here his reading... — More…
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Mozart: Requiem in D minor, K626, etc.
Susan Gritton (soprano), Catherine Wyn-Rogers (mezzo), Timothy Robinson (tenor), Peter Rose (bass)
Scottish Chamber Orchestra and Chorus, Sir Charles Mackerras
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