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Donizetti: Maria Stuarda
RecommendedJoyce DiDonato (Maria Stuarda), Elza van den Heever (Elisabetta), Matthew Rose (Talbot), Joshua Hopkins (Cecil), Matthew Polenzani (Leicester), Maria Zifchak (Anna Kennedy)
The Metropolitan Opera Orchestra and Chorus, Maurizio Benini
handsomely designed...well acted and strongly sung. Elza van der Heever delivers a statuesque Elizabeth, if with tomboyish tendencies...DiDonato offers a physically plain, emotionally determined... — More…
Awards:
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Gramophone Magazine, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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Presto Favourites, Recommended Recording
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Handel: Rodelinda
Jeanine De Bique (Rodelinda), Tim Mead (Bertarido), Benjamin Hulett (Grimoaldo), Avery Amereau (Eduige), Jakub Józef Orliński (Unulfo), Andrea Mastroni (Garibaldo), Aminata Diouaré (Flavio, the child)
Le Concert d'Astrée, Emmanuelle Haïm
Awards:
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Opus Klassik Awards, 2020, Nominee - Male Singer of the Year (Orliński)
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Opus Klassik Awards, 2020, Opera (up to and including 18th-century)
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Mozart: La finta giardiniera, K196
Carlo Allemano (Don Anchise, Podestà), Erin Morley (Sandrina/Violante), Enea Scala (Comte Belfiore), Marie-Adeline Henry (Arminda), Marie-Claude Chappuis (Ramiro), Maria V. Savastano (Serpetta) & Nikolay Borchev (Roberto (Nardo))
Le Concert d'Astrée, Emmanuelle Haïm, David Lescot
Lescot mercifully refrains from 'clever' gags…The characters, all clad in contemporary white costumes, and their chaotic relationships are clearly drawn...All the cast seem natural stage animals... — More…
Awards:
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BBC Music Magazine, November 2015, Opera Choice
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Bellini: Norma
Live at the Metropolitan Opera, 2017
Sondra Radvanovsky (Norma), Joyce DiDonato (Adalgisa), Joseph Calleja (Pollione), Matthew Rose (Oroveso), Michelle Bradley (Clotilde), Adam Diegel (Flavio)
The Metropolitan Opera Orchestra and Chorus, Carlo Rizzi, Sir David McVicar
Radvanovsky is the international Norma of choice at the moment and she sings ‘big’, lacking perhaps the legato that Bellini’s long-limbed melodies demand,. But Joyce DiDonato, making her debut... — More…
Awards:
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Gramophone Magazine, January 2019, DVD/Blu-ray of the Month
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Diapason d’Or, January 2019, Vidéo
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4k Ultra HD Blu-ray + Blu-ray
$39.50 -
Bizet: Les Pêcheurs de Perles
RecommendedDiana Damrau (Leïla), Matthew Polenzani (Nadir), Mariusz Kwiecien (Zurga), Nicolas Teste (Nourabad)
The Metropolitan Opera Orchestra and Chorus, Gianandrea Noseda, Penny Woolcock (dir.)
Woolcock finds a double drama in Bizet's opera..., Noseda drawing sumptuous playing from the Met Orchestra...The Met fields a magnificent cast. Matthew Polenzani is a puppyish Nadir...whil Mariusz... — More…
Awards:
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Presto Recording of the Week, 13th January 2017
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Presto Recordings of the Year, Finalist 2017
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Grammy Awards, 60th Awards (2017), Nominee - Opera Recording
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In War & Peace - Harmony Through Music
Live from Gran Teatre del Liceu, Barcelona, June 2017
Joyce DiDonato (mezzo-soprano)
Il Pomo d'Oro, Maxim Emelyanychev
DiDonato sings with poise and elegance, a few pitchy notes above the stave notwithstanding; her sorrow and passion are clear to see and appreciate – it is an incredibly giving performance. Conductor... — More…
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Donizetti: L'elisir d'amore
Rolando Villazón (Nemorino), Anna Netrebko (Adina), Leo Nucci (Belcore), Ildebrando d'Arcangelo (Dulcamara), Inna Los (Giannetta)
Orchester & Chor der Wiener Staatsoper, Alfred Eschwé
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Verdi: La Traviata
Diana Damrau (Violetta), Francesco Demuro (Alfredo), Ludovic Tézier (Germont), Anna Pennisi (Flora), Cornelia Oncioiu (Annina), Kevin Amiel (Gastone), Fabio Previati (Il Barone Douphol), Nicolas Testé (Dottore Grenvil)
L’Opéra National de Paris, Francesco Ivan Ciampa
Vocally, Damrau can run rings around the notes, but in this role that's not enough. Francesco Demuro makes a likeable if uninteresting Alfredo…best of the principals is Ludovic Tézier's Giorgio... — More…
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Saariaho: Only the Sound Remains
Philippe Jaroussky (counter-tenor), Davóne Tines (baritone)
Dutch National Opera, André De Ridder (conductor) & Peter Sellars (stage director)
The work holds some rich material, but never quite gets off the ground. — More…
