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Smyth: The Prison RecommendedSarah Brailey, Dashon Burton, Experiential Orchestra and Chorus, James Blachly
Smyth was much influenced by neo-Platonism and appended a line from Plotinus to The Prison, suggesting that music was a means to releasing the divine in us, Soloists and chorus convey that very... — More…
Awards:
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Presto Editor's Choice, July 2020
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Presto Recordings of the Year, Finalist 2020
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Grammy Awards, 63rd Awards (2021), Winner - Best Classical Solo Vocal Album
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Gramophone Awards, 2021, Shortlisted - Choral
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Ethel Smyth: Der Wald RecommendedNatalya Romaniw (Röschen), Claire Barnett-Jones (Iolanthe), Robert Murray (Heinrich), Andrew Shore (A Peddler), Morgan Pearse (Count Rudolf), Matthew Brook (Peter), BBC Symphony Orchestra, BBC Singers, John Andrews
Der Wald may not be such an outstanding piece [as The Wreckers], but it is well worth getting to know. While Harry Brewster’s somewhat naïve libretto holds it back, Smyth’s score shows an impressive... — More…
Awards:
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Presto Recordings of the Year, Finalist 2023
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Presto Recordings of the Year, Winner 2023, World Premiere Recording (Rediscovery)
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Dame Ethel Smyth: Mass in D & Overture to 'The Wreckers' RecommendedBBC Symphony Orchestra and Chorus, Sakari Oramo
Oramo rises to the work’s ambition with a fiercely committed, highly persuasive reading that indulges generosity of scale and imagination while pinpointing the Mass’s many felicities of detail.... — More…
Awards:
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Record Review, 5th October 2019, Disc of the Week
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Presto Recording of the Week, 4th October 2019
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Presto Recordings of the Year, Finalist 2019
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Tasmin Little plays Clara Schumann, Dame Ethel Smyth & Amy Beach RecommendedTasmin Little (violin) & John Lenehan (piano)
This delightful, beautifully performed album makes an emphatic, seemingly effortless case for these composers’ music. — More…
Awards:
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Presto Editor's Choice, February 2019, Editor's Choice
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Gramophone Magazine, March 2019, Editor's Choice
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BBC Music Magazine, March 2019, Chamber Choice
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Building A Library, January 2022, Featured Recording
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The Neave’s way with [the Smyth] is expansive, with an attractive warmth of tone in the interlocking string phrases of the outer movements and playing at once weighty and admirably restrained... — More…
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Top playing and plenty to discover. — More…
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This enterprising programme of British cello sonatas encompasses a mixed bag of styles from the tonal writing of Armstrong Gibbs, which hints at Fauré, to the ethereal, impressionistic style... — More…
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Full marks to the Villiers Quartet for bringing this new and challenging repertoire to life. — More…
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There’s no forgetting Oyarzabal’s enthralling performance, or indeed his sublime programme of piano works by women composers from Fanny Mendelssohn to Ruth Crawford Seeger. What a treat. — More…
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