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Phantasm here offers the same flawless playing that has earned its members consistent, well-deserved accolades. Despite the brooding nature of the music, their sound is luminous and tempos are... — More…
Awards:
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Gramophone Magazine, August 2016, Editor's Choice
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Gramophone Awards, 2017, Winner - Early Music
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Building a Library, October 2017, First Choice
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Diapason d’Or de l’Année, 2017, Winner - Musique Ancienne
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True, she sails perilously close to over-sentimentalising the opening Romanza...but Fliter plays with grace and heartfelt sincerity - abetted by some lovely duetting with the SCO's bassoonist... — More…
Awards:
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Gramophone Magazine, March 2014, Editor's Choice
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Gramophone Awards, 2014, Shortlisted - Concerto
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Presto Recordings of the Year, Finalist 2014
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Although Kuniko calibrates balances, dynamics, nuances and sonorities with her expected precision, she also creates a genuine sense of repartee between the parts, as if the six original percussionists... — More…
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Bruckner: Symphonie No. 2 (arr. Anthony Payne)
Royal Academy of Music Soloists Ensemble, Trevor Pinnock
The scale of Bruckner’s symphonic vision and the weight of his musical ideas are certainly preserved, and the performance is indeed persuasive...There are too many sublime moments to pick out... — More…
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Kato has an impeccable sense of rhythm and a capacity for concentration — More…
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[Pizarro] brings spaciousness and a fine balancing of inner parts, in chords and counterpoint alike, alongside a freedom and energy very much his own...his formidable technique provides the means... — More…
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Katherine Bryan plays Flute Concertos by Christopher Rouse and Jacques Ibert
Katherine Bryan (flute)
Royal Scottish National Orchestra, Jac van Steen
Bryan certainly has complete mastery of the [Rouse's] technical and expressive demands, as she does in Ibert's Concerto of 1933...Her playing of Debussy's Syrinx, the ne plus ultra of the solo... — More…
Awards:
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Gramophone Magazine, August 2013, Editor's Choice
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Pamela Thorby, a regular member of the Palladian Ensemble, demonstrates versatility and virtuosity beyond question and is imaginatively accompanied by Richard Egarr, who also contributes a sparkling... — More…
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Gramophone Magazine, August 2004, Editor's Choice
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Ned Rorem - On an echoing road
Duets, Trios and Quartets from Evidence of things not seen interspersed with songs
Anna Leese (soprano), Jennifer Johnston (mezzo), Andrew Staples (tenor), Jacques Imbrailo (baritone), Tim Mead (countertenor) & Alisdair Hogarth (piano / director)
Prince Consort
All five singers have clearly grasped the importance of Rorem's text-based conception of song, 'poetry as expressed through the voice' and they sing - albeit in resolutely English English which... — More…
Awards:
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Gramophone Magazine, February 2010, Editor's Choice
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by skilfully modulating their tone between the smooth and the raucous, the two clarinettists here contrive to minimise the absence of oboe timbre in what proves a lively and nicely nuanced reading...these... — More…
Awards:
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Gramophone Magazine, February 2015, Editor's Choice
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