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True, she sails perilously close to over-sentimentalising the opening Romanza...but Fliter plays with grace and heartfelt sincerity - abetted by some lovely duetting with the SCO's bassoonist... — More…
Awards:
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Gramophone Magazine, March 2014, Editor's Choice
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Gramophone Awards, 2014, Shortlisted - Concerto
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Presto Recordings of the Year, Finalist 2014
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Katherine Bryan plays Flute Concertos by Christopher Rouse and Jacques Ibert
Katherine Bryan (flute)
Royal Scottish National Orchestra, Jac van Steen
Bryan certainly has complete mastery of the [Rouse's] technical and expressive demands, as she does in Ibert's Concerto of 1933...Her playing of Debussy's Syrinx, the ne plus ultra of the solo... — More…
Awards:
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Gramophone Magazine, August 2013, Editor's Choice
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Hommage à Trois
William Berger (baritone), Carolyn Sampson (soprano)
Scottish Chamber Orchestra, Nicholas McGegan
The Scottish Chamber Orchestra's characterful accompaniments under Nicholas McGegan's expert baton prove adventurous at every turn. Berger's agile, lyrical high baritone is also impressive, with... — More…
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Trevor Pinnock knows a thing or two about Mozart and imparts to his youthful charges from the Royal Academy of Music all his enthusiasm for the Salzburger’s greatest serenade. There’s no other... — More…
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Haydn: Lord Nelson Mass
Mary Wilson (soprano), Abigail Fischer (mezzo-soprano), Keith Jameson (tenor) & Kevin Deas (bass-baritone)
Boston Baroque, Martin Pearlman
this new account opens with impact, even if the florid upper strings occasionally have to struggle against the implacable tirades of chorus, trumpets and drums. And the quartet of soloists led... — More…
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