Nimbus

The Abbey’s generously disposed Andreas Silbermann organ of 1709 is the perfect match for this repertory, being brimful with all the historically appropriate tonal colours as specified in the... — Gramophone Magazine, February 2024 More…

Martin Jones is a superb advocate for this rich kaleidoscope. His playing is delightfully exuberant and he is able to reach both the thunderous heights of power demanded by the Tchaikovsky concerto... — BBC Music Magazine More…

Feltsman's imaginative and creative ornaments and embellishments consistently delight and surprise...You may not get painstaking dynamic gradations or micro-managed contouring of lines...but... — Gramophone Magazine, April 2013 More…

He might be termed the last of the great individualists among the pianist fraternity, an artist whose credo stems from his teacher, the great virtuoso Josef Hofmann. It is a school of personal... — The Telegraph More…

Highlights are multitudinous, but must include Marchand’s sensational Grand Dialogue, which concludes the disc: eight minutes of classical organ work-out, with all four manuals in use in the... — Choir & Organ, October 2019, 5 out of 5 stars More…

This is, or would have been a fine period instrument, its remarkable history described in some detail. Alas this is an all too familiar tale of neglect and alteration over the years, but the... — MusicWeb International, January 2013 More…

Feltsman seems to me to be a pianist without mannerisms: his touch is buoyant and his articulation clean but he does not play mechanically: he is unafraid to make tiny rallentandos without wallowing.... — MusicWeb International, March 2012 More…

Lots to savour, including occasional nightingales and mighty ravalements. Who says the Brits can’t stump up brilliant performers of this repertoire? — Choir & Organ, 5 out of 5 stars More…