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Saint-Saëns: Mélodies
Tassis Christoyannis and Jeff Cohen, Jeff Cohen, Tassis Christoyannis (soloist)
Tassis Christoyannis, as in his recording of Lalo’s songs, is mellifluous and I heard every word of the texts …. impeccable, lively playing — More…
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Lully: Phaéton
Emiliano Gonzalez Toro (Phaéton), Ingrid Perruche (Clymène), Isabelle Druet (Théone, Astrée), Gaëlle Arquez (Libye), Andrew Foster-Williams (Épaphus), Frédéric Caton (Mérops, Automne, Jupiter), Benoît Arnould (Protée, Saturne), Cyril Auvity (Triton, le Soleil)
Les Talens Lyriques, Christophe...
Perruche's Clymène is exquisitely sung, showing a command of ornamentation and full of passion. In general, all of the solo roles are dlivered with dramatic conviction and a strong sense of... — More…
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Beethoven: Piano Concertos Nos. 1 & 2
Louis Schwizgebel (piano)
London Philharmonic Orchestra, Thierry Fischer
Schwizgebel's playing is poised, lively and full of subtle, changing detail. The first movement of the Concerto No. 1 swings by with a real sense of dialogue, not only between piano and orchestra... — More…
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Mozart Concertante
Aleksandra Kurzak (soprano/conductor), Morphing Chamber Orchestra, Yuuki Wong, Tomasz Wabnic
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All in all, these pieces are a real discovery, and they're admirably played by the Quatuor Ruggieri, who bring out both the music's energy and its lyrical qualities. — More…
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Salieri: Les Horaces
Judith Van Wanroij (Camille), Cyrille Dubois (Curiace), Julien Dran (le jeune Horace), Jean-Sébastien Bou (le veil Horace), Philippe-Nicolas Martin (L’Oracle/un Albain/Valère/un Romain), Andrew Foster-Williams (Le Grand-Prêtre/le Grand-Sacrificateur), Eugénie Lefebvre (Une suivante de Camille)
Les...
The instrumental and choral numbers could be from 50 years later…Rousset’s fierce energy and musical intelligence unleashes the fire, colours and grandeur of Salieri’s drama. But the dearth... — More…
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