Regis

The towering instrumentalists for whom these works were written team up with great conductors in peerless interpretations. Oistrakh sears in the superior masterpiece. — BBC Music Magazine, December 2012, 5 out of 5 stars More…

Thanks above all to the passionate commitment of Mitropoulos, working with a fine team of soloists, this neglected work sounds a true masterpiece. — BBC Music Magazine, December 2008, 5 out of 5 stars More…

France's equivalent of Fischer-Dieskau sings Fauré, Duparc and Ravel with characteristic expressive elegance that transcends the rather elderly recordings. — BBC Music Magazine, May 2006, 5 out of 5 stars More…

This is an interpretation of the time in which the symphony appeared and, moreover, it’s by one of Shostakovich’s greatest interpreters. Mravinsky offers an interpretation of raw power which... — MusicWeb International, August 2012 More…

Despite old-fashioned sound - clear and well-balanced but artificially spotlit - these performances remain alert, elegant and firmly etched. — BBC Music Magazine, November 2012, 4 out of 5 stars More…

The Regis transfer is warm and the voices are clear. — Penguin Guide, 2010 edition, 2 out of 4 stars/3 out of 4 stars More…

He was a child prodigy whose early virtuosity blossomed into genius, unmatched throughout his life by any of his contemporaries……...He was one of the greatest violinists of the century. — The Guardian More…

The main purpose of this frustratingly fragmentary and unevenly mastered compilation of Lieder treasure seems to be to give a sampler tasting of the young Fischer-Dieskau in the 1950s, with... — BBC Music Magazine, February 2010, 4 out of 5 stars More…

Richter's account of Tchaikovsky's G major Sonata has silky power, while Gilels brings characteristic grace and musicality to Glazunov's Second Sonata and Medtner's G minor. — BBC Music Magazine, February 2014, 5 out of 5 stars More…

One of the attractions of this disc is the variety of the repertoire...Logical phrasing and clear articulation are among the virtues of this choir, and these serve the repertoire on this disc... — MusicWeb International, January 2012 More…

Demonstrating sensitivity and with an exactingly crisp definition to each note, Emil Gilels’s 1957 recording is both intimate and universal. The improvisatory quality is not lost in his freshness... — MusicWeb International, 21st February 2014 More…

All three works are sure-fire audience pleasers...Stanzeleit and Fenyo are fine chamber musicians, and their performances here are praiseworthy indeed - proficient, communicative and persuasive. — MusicWeb International, January 2012 More…

Age cannot wither Oistrakh's passionate Sibelius, or his Szymanowski, though the latter needs clearer orchestral sound. — BBC Music Magazine, February 2014, 4 out of 5 stars More…

among the very finest recorded versions...Bjorling is, as ever, superb in his heroic projection...A recording to treasure...The new Regis transfer seems to give the voices marginally more presence — Penguin Guide, 2010 edition, 3 out of 4 stars More…

Listen to the opening of the Cello Concerto and the way that Talich changes the mood imperceptibly before the big horn solo. It’s all so impressive that mentioning the soloist almost feels like... — Graham Rickson, The Arts Desk, 18th June 2011 More…