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Mozart: Piano Concertos Nos. 9, 12 & 14
Edna Stern (piano)
Orchestre d’Auvergne, Arie van Beek (direction)
Stern's performances are all about intimacy: intimacy of sound, manifested in a close, dry (and sometimes rather unlovely) recording offering sharp textural clarity and emphasising the tightness... — More…
CD
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JS Bach: Sonatas for obbligato harpsichord and violin BWV 1014-1019 Chiara Banchini (violin) & Jörg-Andreas Bötticher (harpsichord)
2 CDs
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Virtuosity may be pushed to the very limit in the fantastical whirligig of quotations comprising the second movement tribute to Nathaniel Hawthorne, but the homely simplicities of the Alcotts... — More…
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In [No. 7] and the other two sonatas, free from the delicious distraction of the voices, it is possible to appreciate more fully the refined, characterful playing of the ensemble led by its... — More…
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… the violin really 'speaks' here, superbly supported by Imaginarium's varied continuo group. — More…
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Haydn: Symphony No. 44 in E minor 'Mourning', etc.
Anima Eterna, Jos van Immerseel (piano & direction)
Recordings of the Concerto have tended to be with either harpsichord or modern grand. …van Immerseel makes a persuasive case for the fortepiano, with its silvery treble and capacity for delicate... — More…
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2 CDs
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For many people, if Jean-Fery Rebel is known as anything more than a name, it is for one chord – the spectacular dissonance which conjures primeval chaos at the opening of his ballet suite Les... — More…
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Mediterranea - A Collection of Troubadour Songs Brigitte Lesne (voice, medieval harp, gothic harp, percussions), Pierre Hamon (recorders, tranverse flute, bansuri, double flute, flute, drum, bagpipe) & Carlo Rizzo (tammorra, tamburello, tambourines, voice)
Alla Francesca
The main weight of the singing goes to Brigitte Lesne's marvellous mezzo voice with its wide variety of colours and techniques… Pierre Hamon… continues to astonish with his range of articulations... — More…
CD
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