Bel Air Classiques
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Yuri Grigorovich: The Golden Age The Life And Art Of The Bolshoi’s Controversial Choreographer
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Private Concerts At Daniel Barenboim's and At Martha Argerich's Daniel Barenboim, Kian Soltani, Michael Barenboim
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Tchaikovsky: Eugene Onegin Mariusz Kwiecień (Eugene Onegin), Tatiana Monogarova (Tatiana), Makvala Kasrashvili (Madame Larina), Margarita Mamsirova (Olga), Emma Sarkisyan (La nourrice), Andrey Dunaev (Lenski), Anatolij Kotscherga (Prince Gremin) & Valery Gilmanov (Zaretski)
Soloists, Orchestra and Chorus of the Bolshoi...
Concepts apart, what Dmitri Tcherniakov brings to this Bolshoi production is an almost Chekhovian attention to detail… Tcherniakov’s singers reward him with some remarkable performances. Tatiana... — More…
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Tribute to Jerome Robbins Paris Opera Ballet & Orchestre de l’Opéra national de Paris, Koen Kessels
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Rachmaninov: Troika Kostas Smoriginas (Aleko), Sergey Semishkur (Young gipsy), Alexander Vassiliev (Old gipsy), Anna Nechaeva (Zemfira), Yaroslava Kozina (Gipsy woman), Sergei Leiferkus (Boris), Dmitry Golovnin (Dmitri), Ilya Silchukov (The Duke), Alexander Kravets (Money lender), Alexander Vassiliev (Servant), Dimitris...
Nechaeva [is] an appealingly sensuous Zemfira and Francesca, sturdy Greek baritones as jealous heavies Aleko and Lorenzaccio, and veteran Sergei Leiferkus excellent as the demented knight. Mikhail... — More…
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Galerie Dorée: Golden Gallery - The Tricentenary Concert Jodie Devos, Justin Taylor, Thomas Dunford
Quatuor Cambini-Paris, Le Concert de la Loge, Julien Chauvin
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Tchaikovsky Gala Polina Semionova, Roberto Bolle, Maurizio Licitra, Gianni Ghisleni & Flavia Vallone, Marta Romagna, Antonino Sutera & Daniela Cavalleri, Nadja Saidakova & Ronald Savkovic
Corpo di Ballo ed Orchestra del Teatro alla Scala, David Coleman
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Verdi: Macbeth Dimitris Tiliakos (Macbeth), Ferruccio Furlanetto (Banco), Violeta Urmana (Lady Macbeth), Letitia Singleton (Dama), Stefano Secco (Macduff), Alfredo Nigro (Malcolm)
Orchestre et Choeurs de l’Opéra national de Paris & Maîtrise des Hauts-de-Seine, Teodor Currentzis
Personal relationships are illuminatingly handled in spite of Tcherniakov's aversion to monologues. Home viewing produces, I guess, a more accessible experience than the audience had in Paris's... — More…
