Accentus Music
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JS Bach: Cantatas BWV 33, 17, 99
Julia Sophie Wagner (soprano), Stefan Kahle (alto), Wolframm Lattke (tenor) & Tobias Berndt (bass)
Thomanerchor Leipzig, Thomaskantor Gotthold Schwarz & Sächsisches Barockorchester, Gotthold Schwarz
When Bach is in extrovert Brandenburg mode…the vigour and directness of these performances are often exhilarating. — More…
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His Schumann programme is a model of preternatural clarity, though he can be relentless in some of the composer’s more obsessive rhythmic patterns. — More…
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For all his scrupulous attention to the music’s murmurings, the more outgoing rhythmic cross-currents are handled stunningly; and because of his control of balances there’s a marvelous glow... — More…
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Michael Praetorius: Es ist ein Ros - Music for Advent and Christmas
Isabel Schicketanz (soprano), Jonathan Mayenschein (alto), Christopher Renz (tenor), Martin Schicketanz (bass), Dresdner Kammerchor, Hans-Christoph Rademann
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Bruckner: Requiem
Johanna Winkel (soprano), Sophie Harmsen (mezzo-soprano), Michael Feyfar (tenor) & Ludwig Mittelhammer (baritone)
RIAS Kammerchor Berlin, Akademie für Alte Musik Berlin, Łukasz Borowicz
The singing and playing are uniformly excellent, and the recording has exemplary balance and clarity. — More…
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Apart from the extensive range of technique that Michael Barenboim effortlessly realises, the confidence and maturity of the musical language [in the Boulez] is stunning, and often harmonically... — More…
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Of these two performances by the Stuttgart-based Gaechinger Cantorey, the CPE Bach comes over more vividly, with sharply articulated detail under the energetic direction of Hans-Christoph Rademann. — More…
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Beautifully performed by the Ælbgut ensemble and Capella Jenensis, this recording allows us to compare the three candidates’ submissions. Telemann’s cantata has the expected smooth eff iciency... — More…
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