Coro
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With St Paul's Deptford standing in for Westminster Abbey the acoustic is ideally focused - no 'billow' blurring the edges of a wonderfully buoyant 'The King Shall Rejoice' (its ensuing 'Exceeding... — More…
Awards:
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Gramophone Magazine, April 2009, Disc of the Month
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Gramophone Awards, 2009, Winner - Baroque Vocal
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Haydn: Symphony No. 100 & Nelson Mass
RecommendedLive
Raphaël Mouterde (studioproducer), Mary Bevan (soprano), Sumner Thompson, Sonja DuToit Tengblad, Jeremy Budd (tenor), Catherine Wyn-Rogers (mezzo-soprano)
Handel and Haydn Society, Handel and Haydn Society Chorus, Harry Christophers
Christophers and the Handel and Haydn Society of Boston present a neatly turned-out Military Symphony, closer to the urbanity of Colin Davis than the rawer edges of Eugen Jochum or, on original... — More…
Awards:
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Building A Library, April 2024, Recommended Recording (Symphony No. 100)
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Handel: Messiah RecommendedCarolyn Sampson, Catherine Wyn-Rogers, Mark Padmore, Christopher Purves
The Sixteen, Harry Christophers
Three of the four outstanding soloists - fine Handelians all - cut their teeth in the choir, and Catherine Wyn-Rogers has been a regular soloist. Crucially they don't stand apart, regally dispensing... — More…
Awards:
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Presto Recording of the Week, 25th August 2008
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Building a Library, April 2009, First Choice
3 CDs
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Haydn: Symphonies Nos. 7 & 83 & Violin Concerto in C major
Aisslinn Nosky (violin)
Handel and Haydn Society, Harry Christophers
[the Paris Symphony No. 83 is] a marvellously intense piece, and it gets a no-holds barred performance from Harry Christophers and the Handel and Haydn Society orchestra. They bring a fine sense... — More…
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Heroes and Heroines: Handel Arias Sarah Connolly
The Symphony of Harmony and Invention, Harry Christophers
Sarah Connolly is an exemplary Handel singer.
Her recital is dominated by two roles she's performed at ENO, with arias from Alcina and Ariodante.
'Scherza infida' is an addictive mixture of... — More…Awards:
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Gramophone Magazine, November 2004, Editor's Choice
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Haydn: Symphonies Nos. 8 & 84 & Violin Concerto in A major
Aisslinn Nosky (violin)
Handel and Haydn Society, Harry Christophers
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His approach to the symphonies with the venerable Handel and Haydn Society has emphasised the rich tone of his Boston-based orchestra, bearing a greater similarity, perhaps, to the suavity and... — More…
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Haydn: Symphonies Nos. 26 & 86 & Mozart: Violin Concerto No. 3
Aisslinn Nosky (violin)
Handel and Haydn Society, Harry Christophers
[Symphony No. 26] Christophers presents the powerful, restless first movement perfectly, the raucous valveless horns of its close perfectly judged. The first plainchant melody provides the first... — More…
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Haydn: Symphony No. 103 & Theresienmesse
Mary Bevan (soprano), Catherine Wyn-Rogers (mezzo-soprano), Jeremy Budd (tenor), Sumner Thompson
Handel and Haydn Society, Handel and Haydn Society Chorus, Harry Christophers
The Theresienmesse especially suits this orchestra’s sound, which is a touch softer-grained than some other period-instrument groups. — More…
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Haydn: Symphonies Nos. 49 & 87
Aisslin Nosky (violin) & Max Mandel (viola)
Handel and Haydn Society, Harry Christophers
Christophers once again demonstrates that his 203-year-old band are in rude health. — More…
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