Browse: Coro (label)
This page lists all recordings from the label Coro.
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Mozart: Mass in C minor, K427 'Great'
Gillian Keith (soprano), Tove Dahlberg (mezzo soprano), Thomas Cooley (tenor) & Nathan Berg (bass-baritone)
Handel and Haydn Society, Harry Christophers
[Christophers] fields an impressive period-instrument orchestra, and a game and regularly strong choir...Of the soloists, the finest is Gillian Keith, consistently graceful and utterly winning... — More…
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Durante: Requiem Alexandra Kidgell (soprano), Katy Hill (soprano), William Purefoy (countertenor), Mark Dobell (tenor), Ben Davies (bass), Clive Driskill-Smith (organ)
Oxford Baroque, Christ Church Cathedral Choir, Oxford, Stephen Darlington
Durante’s 1746 post-Baroque Requiem is no great masterpiece, but it does have moments of elegance and charm which are beautifully rendered. The likeable Organ Concerto benefits from sparkling... — More…
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The Call of Rome: Music by Allegri, F. Anerio, Josquin and Victoria The Sixteen, Harry Christophers
The singers begin with Victoria’s responses for Holy Saturday. They immediately evoke the meanings of the texts, conjuring up a compelling drama in their portrayal of Christ’s harrowing of hell... — More…
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Haydn: Symphony No. 103 & Theresienmesse
Mary Bevan (soprano), Catherine Wyn-Rogers (mezzo-soprano), Jeremy Budd (tenor), Sumner Thompson
Handel and Haydn Society, Handel and Haydn Society Chorus, Harry Christophers
The Theresienmesse especially suits this orchestra’s sound, which is a touch softer-grained than some other period-instrument groups. — More…
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Beethoven: Sonatas for Fortepiano and Violin Volume 4
Susanna Ogata (violin) & Ian Watson (fortepiano)
Ian Watson and Susanna Ogata offer stylish and invigorating performances, Watson negotiates the cascades of notes in the virtuoso opening movement of the E flat major sonata with admirable fluency,... — More…
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Monteverdi: Vespro della beata Vergine (1610) Grace Davidson, Charlotte Mobbs (sopranos), Simon Berridge, Jeremy Budd, Mark Dobell (tenor) & Ben Davies, Eamonn Dougan (bass)
The Sixteen, Harry Christophers
Christophers sees Monteverdi attempting here to 'speak through singing'...and this, he tells us, allows the conductor 'the most amazing licence' - of accentuation, speed and declamation. Hence... — More…
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