Browse: Coro (label)
This page lists all recordings from the label Coro.
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Across the disc, complex polyphonic edifices are negotiated with Christophers’s intuitive suavity, and stretches of prayerful serenity are enlivened with a gear-changing dramatic lift here, a... — More…
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Does Christmas sound different in America? Partly. Over half of the selections here are American in origin...Fascinating also to compare the American style of singing, more vigorous in attack... — More…
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Buxtehude: Membra Jesu nostri, BuxWV75 Carolyn Sampson, Libby Crabtree, Robin Blaze, James Gilchrist & Simon Birchall
The Sixteen, Harry Christophers
Inspired music matched by intensely heartfelt one-to-a-part performance. — More…
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Performances are of the standard one would expect from The Sixteen, the singers moving effortlessly between ‘old’ and ‘new’ styles, featuring some outstanding solo contributions in the concertato... — More…
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James MacMillan: Symphony No. 5 'Le grand Inconnu' & The Sun Danced Mary Bevan (soprano), Kim Porter, Mark Dobell, Julie Cooper, Ben Davies
The Sixteen, Britten Sinfonia, Genesis Sixteen, Harry Christophers
[Symphony] the overall effect is classic MacMillan: musically eclectic (from radiantly tonal to blisteringly dissonant), powerfully dramatic, and filled with ecstatic textural contrasts...Even... — More…
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Generous and wide-ranging survey of the church music. — More…
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Brahms: Ein Deutsches Requiem, Op. 45
Julie Cooper (soprano), Eamonn Dougan (bass) & Gary Cooper, Christopher Glynn (piano)
The Sixteen, Harry Christophers
A triumph, creating the benchmark for this version. — More…
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Handel: Messiah
Gillian Keith (soprano), Daniel Taylor (alto), Tom Randle (tenor), Sumner Thompson (bass)
Handel and Haydn Society, Harry Christophers
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Beethoven: Sonatas for Fortepiano and Violin Volume 3
Susanna Ogata (violin) & Ian Watson (fortepiano)
...what makes this new series interesting is the combined sound of the fortepiano and a violin of the same period, different from any other recording or performance I’ve heard. The sound is brighter…... — More…
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