Deutsche Grammophon
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In all, here's a striking demonstration of the sheer variety and invention of Baroque violin composers… Although by no means 'period' performances… they are admirably stylish. Hope uses vibrato... — More…
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Offer,
Henze: Piano Concerto No. 2 & Tristan Christoph Eschenbach (piano), Homero Francesch (piano), Siegfried Behrend (guitar)
London Philharmonic Orchestra, Kölner Rundfunk-Sinfonie-Orchester, RIAS-Sinfonie-Orchester, Hans Werner Henze, Ferenc Fricsay
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Mozart: Violin Concerto Nos. 3 & 5
Anne-Sophie Mutter (violin)
Berliner Philharmoniker, Herbert von Karajan
Extraordinarily mature and accomplished playing from Anne-Sophie Mutter, who … receives the most superb orchestral support from the Berlin Philharmonic and Karajan. With a well-balanced and... — More…
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Beethoven: Symphonies No. 3 'Eroica' & No. 5
Vienna State Opera Orchestra, Royal Philharmonic Orchestra, Hermann Scherchen
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Mozart & Vieuxtemps: Violin Concertos
(deluxe digital version including Hilary Hahn and Paavo Jarvi in conversation)
Hilary Hahn (violin)
Paavo Jarvi
Hahn takes a Romantic view of Mozart, with bold gestures, a wide dynamic range, and fruity vibrato, especially lower down the instrument...She is more naturally attuned to the Vieuxtemps, where... — More…
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Orff: Carmina Burana
Christiane Oelze (soprano), David Kübler (tenor), Simon Keenlyside (baritone)
Orchester der Deutschen Oper Berlin, Chor der Deutschen Oper Berlin, Knabenchor Berlin, Christian Thielemann
His reading here is respectable, the rough edges smoothed over and the singing refined. It's not the most exciting line on Orff you'll ever hear. But it's the most intelligent, considered and... — More…
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Beethoven: Missa Solemnis in D major, Op. 123
Margaret Price (soprano), Christa Ludwig (contralto), Wieslaw Ochman (tenor), Martti Talvela (bass)
Wiener Philharmoniker, Chor der Wiener Staatsoper, Karl Böhm
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