LPO

so wholeheartedly is Jurowski immersed in its [the Overture’s] spirit. — Classical Ear, 10th April 2017, 3 out of 5 stars More…

…Finn Paavo Berglund is now the composer's most authoritative living interpreter. Hearing his live recording of the Seventh Symphony, a lifetime's questioning distilled in a single monolithic... — BBC Music Magazine, December 2005, 5 out of 5 stars More…

Peter Rose's commanding resonance is full of warmth. Janice Watson floats with a beautiful ease...From an orchestral point of view this performance is a triumph, with flawless playing. The LPO... — Gramophone Magazine, September 2012 More…

The piece encapsulates Shankar’s lifelong devotion to bringing together the music of east and west…That the integration of styles and instruments feels so natural is testament to Shankar’s pioneering... — BBC Music Magazine, April 2020, 3 out of 5 stars More…

a hint of Rachmaninov's beloved Philadelphia string sound surfaces in a few portamentos, but there's no gloss. The beautiful, sombre line continues in a chain of superb solos for the central... — BBC Music Magazine, April 2016, 5 out of 5 stars More…

[The Isle of the Dead] has long been a Jurowski speciality and, unless you insist on the sensationally doom-laden, heavyfooted approach of late-career Evgeny Svetlanov (BBC, 1/08 et al), there... — Gramophone Magazine, June 2019 More…

Recorded live under Penderecki’s baton, this disc is a terrific tribute to the great composer. With moments of shimmering subtleties and immense, piercing walls of sound, this is an utterly... — BBC Music Magazine, July 2020, 4 out of 5 stars More…

It's an extraordinary interpretation: for one thing, at least in the first two movements, it must be the slowest account I've ever heard...Yet, to be fair, the effect is neither glacial nor... — BBC Music Magazine, June 2010, 4 out of 5 stars More…

At times the sound calls for a fair degree of tolerance but the ear quickly adjusts - and the actual music-making is a delight. A London Overture in particular evinces an entrancing flexibility,... — Gramophone Magazine, December 2009 More…