Mirare
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The brothers embrace the music’s rhetoric while sounding less than natural…Start listening and you won’t be able to stop…In short, this is playing of the greatest subtlety and discernment. — More…
Awards:
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Diapason d’Or, March 2018, Nouveauté
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Marais himself would have immediately recognised and appreciated Florence Bolton’s artistry and commitment to his music. These are sublimely unfettered performances, perfectly judged and yet... — More…
Awards:
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Gramophone Magazine, April 2018, Editor's Choice
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The performance by both the vocal and instrumental groups is, as one might expect, excellent. Soprano Maria Keohane has a bright voice and fine diction, while tenor Julian Prégarien can be powerful... — More…
Awards:
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Record Review, 16th January 2021, Record of the Week
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Hantaï never makes the mistake of tearing into these pieces and wrestling them. If the music itself seems to approach organised chaos in places, his playing is always controlled, seeking out... — More…
Awards:
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Diapason d’Or, November 2019, Nouveauté
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Gramophone Magazine, December 2019, Editor's Choice
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There is an abundance of fairy-tale characterisation in this first instalment of a promised complete survey of Prokofiev’s sonatas…And story-telling fantasy, conveyed with a seemingly infinite... — More…
Awards:
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Gramophone Magazine, April 2019, Editor's Choice
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Diapason d’Or de l’Année, 2019, Winner - Piano
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The astonishing technical variety and wide emotional range contained in Domenico Scarlatti's keyboard sonatas make each and every encounter a rewarding adventure in which the listener is seldom... — More…
Awards:
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Building a Library, May 2005, First Choice
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BBC Music Magazine, September 2005, Instrumental Choice
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The first track (Kk535) is typical of the quickmoving sonatas that abound in this programme – an astonishing display of dexterity in which the harpsichord he uses (a 1999 copy of an anonymous... — More…
Awards:
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Building a Library, May 2005, First Choice
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Gramophone Magazine, January 2003, Editor's Choice
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The key to the success of these readings is that while they are rooted in transparency, they are vibrantly resonant, boldly directional and never brittle. The arias tend to portray the singers... — More…
Awards:
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Gramophone Magazine, June 2018, Editor's Choice
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Diapason d’Or, June 2018, Nouveauté
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Falla: El Amor Brujo, etc.
RecommendedAntonia Contreras (flamenco singer), Jerôme Corréas (bass-baritone), Chantal Perraud (soprano) & Eric Huchet (tenor)
Orchestre Poitou-Charentes, J.F Heisser
Awards:
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Building a Library, June 2009, First Choice (1915 version)
CD
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