Tchaikovsky: Violin Concerto in D major, Op. 35, etc.

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These are stimulating versions of two favourite concertos, which take a fresh interpretative approach. Nikolai Lugansky's conception is spacious, with pianist and conductor taking time to relish... — Gramophone Classical Music Guide, 2010 More…

Catalogue No: PTC5186022
Label: Pentatone
Length: 67 minutes

Gramophone Magazine

February 2004

Editor's Choice

Tchaikovsky: Violin Concerto in D major, Op. 35

Work length31:41

$7.00

$9.05

$12.25

Christian Tetzlaff
Russian National Orchestra
Kent Nagano

I. Allegro moderato

Track length16:49

$4.00

$5.15

$7.00

II. Canzonetta. Andante

Track length5:41

$1.00

$1.30

$1.75

III. Finale. Allegro vivacissimo

Track length9:11

$2.00

$2.60

$3.50

Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23

Work length35:38

Album only

Nikolai Lugansky
Russian National Orchestra
Kent Nagano

I. Allegro non troppo e molto maestoso - Allegro con spirito

Track length21:30

Album only

II. Andantino semplice - Prestissimo - Tempo I

Track length7:03

$2.00

$2.60

$3.50

III. Allegro con fuoco

Track length7:05

$2.00

$2.60

$3.50

Reviews
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Reviews

2010

These are stimulating versions of two favourite concertos, which take a fresh interpretative approach. Nikolai Lugansky's conception is spacious, with pianist and conductor taking time to relish the music's puissance. The opening is broad and weighty. Then, although the first subject of the Allegro has a vividly Russian rhythmic character, in both the exposition and recapitulation much is made of the beauty of lyrical secondary material and the Romantic link with Tchaikovsky's Romeo and Juliet. The exquisitely delicate central Andantino is followed by a scintillating Scherzando. The finale bursts forth with irrepressible dash and virtuosity. When, near the close, the tempo broadens massively to make a hugely positive climax some forward impetus is lost, but Lugansky's bravura is thrilling.
Tchaikovsky's friendly opening for his Violin Concerto is shaped by Nagano in a mood of disarming simplicity, and the two main themes are invested with lyrical warmth. Tetzlaff bounces his bow with engaging lightness in the key passage (7'03") that Hanslick described as 'beating the violin black and blue', while the cadenza is played with such affectionate detail that it becomes a highlight of the work. Tetzlaff's playing throughout is polished and secure.
In both concertos the recording has the orchestra placed naturally within a warm concert hall acoustic.

Awards Issue 2005

With two fine young soloists on top form, both works spring vividly to life…

Tchaikovsky: Violin Concerto in D major, Op. 35, etc.

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