Josquin - Missa Sine Nomine & Missa Ad Fugam - Gimell: CDGIM039 - CD or download

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These two pieces have rarely been recorded, and yet they are great works from a truly great composer. …the standards of ensemble singing here are typically high, and the sound recording is a... — BBC Music Magazine, March 2008, 4 out of 5 stars More…

Release Date: 3rd Mar 2008
Catalogue No: CDGIM039
Label: Gimell
Series: Complete Josquin Mass Cycle
Length: 68 minutes

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Josquin: Missa Sine nomine

Work length29:33

$5.80

$7.15

$8.80

The Tallis Scholars
Peter Phillips

I. Kyrie

Track length2:53

$1.05

$1.30

$1.60

II. Gloria

Track length6:06

$1.05

$1.30

$1.60

III. Credo

Track length8:19

$1.60

$1.95

$2.40

IV. Sanctus and Benedictus

Track length6:22

$1.05

$1.30

$1.60

V. Agnus Dei

Track length5:53

$1.05

$1.30

$1.60

Josquin: Missa Ad fugam

Work length31:28

$6.90

$8.45

$10.40

The Tallis Scholars
Peter Phillips

I. Kyrie

Track length2:44

$1.05

$1.30

$1.60

II. Gloria

Track length5:33

$1.05

$1.30

$1.60

III. Credo

Track length8:17

$1.60

$1.95

$2.40

IV. Sanctus and Benedictus

Track length7:34

$1.60

$1.95

$2.40

V. Agnus Dei

Track length7:20

$1.60

$1.95

$2.40

Josquin: Missa Ad fugam (revised version)

Work length7:41

$2.10

$2.60

$3.20

The Tallis Scholars
Peter Phillips

IV. Sanctus and Benedictus

Track length4:47

$1.05

$1.30

$1.60

V. Agnus Dei

Track length2:54

$1.05

$1.30

$1.60

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This recording presents the only two Masses by Josquin which are entirely based on canons; a single melody stated in different voice-parts at different times so that it overlaps with itself. To write this kind of music may sound academic to the modern mind: who is interested in mathematical scaffolding which most people can’t hear? But Josquin was interested in it – as were many later composers from Bach to Brahms to Webern – and I knew that, like every composer of genius, he would relish the challenge.

Reviews

March 2008

These two pieces have rarely been recorded, and yet they are great works from a truly great composer. …the standards of ensemble singing here are typically high, and the sound recording is a treat.

May 2008

Sine nomine (without name) must be among Josquin's last and most perfect works. There are magically placed climaxes and contrasting passages with less tension. …the Scholars leave all the work to Josquin: they impose nothing, and the music projects very powerfully.

May 2013

If you listen very closely you’re always aware of the canonical device – the clarity and precision of the singing, as well as Josquin’s writing, sees to that – but it’s equally possible – and acceptable, I’d suggest – simply to surrender to the wonderful music

13th April 2008

The Tallis Scholars sing with clean, penetrating, though slightly top-heavy, sound, and Phillips shapes and paces everything lovingly.

26th April 2008

It is a tribute to composer and performers alike that no listener would guess that this splendid music is written according to such a strict contrapuntal principle as the canon. Paradoxically, it is the mathematically complex Missa Sine nomine that actually sounds the more spontaneous and expressive.
Its long flowing lines, beautifully shaped by the Tallis Scholars, and transparent polyphonic textures - for which this two-to-a part ensemble is ideal - show Josquin's ability to transcend all the restrictions of this rigorous technique.

19th April 2008

...there is no sense of hurry in the singing of Josquin Des Pres' Missa Sine Nomine and Ad Fugam, only of great passion and hard, driving, burning Italianate tone. At only two voices to a part, one sometimes misses the full depth and inspiring unison of 20 choristers. But it is hard to fault the clarity of contrapuntal line, the imitative balance across the parts, the exquisitely tuned fifths and octaves, the perfectly arched phrases, the undetectable breathing and the perfect rhythmic precision that makes the music dance and perhaps accounts for the voluptuous cover. Strange choice for a Mass otherwise.

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