Lisa della Casa: Vienna State Opera 1955-1971

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Release Date: 2nd Mar 2009
Catalogue No: C685091
Label: Orfeo
Series: Orfeo d'Or, Wiener Staatsoper Live
Length: 76 minutes

Usually despatched in 3 - 4 working days

Excerpt, Mozart: Don Giovanni, K527

Work length15:49

$4.00

$5.20

Lisa della Casa, Anton Dermota
Wiener Staatsoper
Karl Böhm

Schnell, dem Vater zu helfen - Fliehe, Verräter, fliehe! (Live)

Track length7:33

$2.00

$2.60

Auf, tröste dich, o Teure! - Ich grausam? - Sage nicht, o Heißgeliebter (Live)

Track length8:16

$2.00

$2.60

Excerpt, Mozart: Idomeneo, K366

Work length13:04

$2.00

$2.60

Lisa della Casa, Werner Krenn
Wiener Staatsoper
Jaroslav Krombholc

Quando avran fine omai - Padre, germani, addio! (Live)

Track length6:59

$1.00

$1.30

Principessa, a' tuoi sguardi - Spiegarti non poss'io (Live)

Track length6:05

$1.00

$1.30

Excerpt, Wagner: Die Meistersinger von Nürnberg

Work length9:47

$2.00

$2.60

Lisa della Casa, Otto Wiener, Jean Madeira, Wolfgang Windgassen, Murray Dickie
Wiener Staatsoper
Heinz Wallberg

Hat man mit dem Schuhwerk nicht seine Not! - O Sachs! Mein Freund! (Live)

Track length5:24

$1.00

$1.30

Selig, wie die Sonne (Live)

Track length4:23

$1.00

$1.30

Einem: Dantons Tod, Op. 6

Work length4:31

$1.00

$1.30

Lisa della Casa
Wiener Staatsoper
Josef Krips

Das ist eine böse Zeit (Live)

Track length4:31

$1.00

$1.30

Excerpt, Strauss, R: Capriccio

Work length14:31

$3.00

$3.85

Lisa della Casa
Wiener Staatsoper
Georges Prêtre

Morgen mittag um elf! (Live)

Track length14:31

$3.00

$3.85

Excerpt, Strauss, R: Arabella

Work length19:13

$5.00

$6.45

Lisa della Casa, Anneliese Rothenberger, Hugh Beresford
Wiener Staatsoper
Joseph Keilberth

Ich danke, Fräulein - Aber der Richtige (Live)

Track length10:55

$3.00

$3.85

Das war sehr gut, Mandryka (Live)

Track length8:18

$2.00

$2.60

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No singer at the Vienna State Opera or elsewhere has been as closely associated with the title role in Strauss's Arabella as Lisa Della Casa, who celebrates her 90th birthday on 2 February 2009, and yet we should be guilty of doing the Swiss soprano a grave disservice by reducing her repertory to this one role alone.This point is well illustrated by an impressive portrait of the singer that is released as part of ORFEO's series 'Wiener Staatsoper live'. Lisa Della Casa took part in the opening performances in the rebuilt house in 1955, a bundle of nervous energy as Donna Anna under Karl Böhm, with Anton Dermota as Don Ottavio.With the silvery gleam of her soprano and her crystalline high notes, she was also a natural choice as Eva in Die Meistersinger, a role she also sang at Bayreuth and the Met. Here she demonstrates that she was capable of raising standards to those worthy of an international festival whenever she appeared with other world-class singers.The same is true of the closing scene from Capriccio under Georges Prêtre and of the scene from Arabella in which her sister, Zdenka, is played by Anneliese Rothenberger in an inspired piece of casting. As Lucile in Gottfried von Einem's Dantons Tod, under Josef Krips in 1967, she proved a worthy successor to Maria Cebotari, who at the start of Della Casa's career had recommended her younger colleague for more challenging roles.Von Einem's opera by no means marked a new direction in the singer's career: far from taking on character roles in the later stages of her career, she was still singing lyric soprano roles until shortly before she retired from the stage. A unique voice, with distinctive simplicity and even phrasing.

Lisa della Casa

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