Beethoven: Complete String Quartets Volume 2

The Quartetto di Cremona are equal to technical demands but often wary of tonal involvement...Internal balance of the ensemble is just and the performances overall are good. But music of such... — Gramophone Magazine, February 2014 More…

Release Date: 25th Nov 2013
Catalogue No: AUDITE92681
Label: Audite
Series: Quartetto di Cremona Beethoven String Quartets
Length: 69 minutes

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Beethoven: String Quartet No. 8 in E minor, Op. 59 No. 2 'Rasumovsky No. 2'

Work length34:13

$7.00

$9.05

Quartetto di Cremona

I. Allegro

Track length9:54

$2.00

$2.60

II. Molto adagio

Track length12:10

$3.00

$3.85

III. Allegretto

Track length6:38

$1.00

$1.30

IV. Finale. Presto

Track length5:31

$1.00

$1.30

Beethoven: String Quartet No. 12 in E flat major, Op. 127

Work length35:14

$7.00

$9.05

Quartetto di Cremona

I. Maestoso - Allegro

Track length6:33

$1.00

$1.30

II. Adagio, ma non troppo e molto cantabile - Andante con moto

Track length13:52

$3.00

$3.85

III. Scherzando vivace

Track length8:01

$2.00

$2.60

IV. Finale

Track length6:48

$1.00

$1.30

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Following the successful release of Volume I in the complete edition of Beethoven String Quartets with the “Quartetto di Cremona”, audite now continues the series. The choice of works for the second volume refers to two periods during which Beethoven turned away for good from the culture of music amateurs of the late eighteenth century. The Quartets Op. 59 of 1806, commissioned by Count Andrey Kirillovich Razumovsky, were written for Vienna’s most famous professional string quartet, led by Ignaz Schuppanzigh. Beethoven’s musical language is no longer balanced and well-seasoned, as that of his contemporaries, but is extreme in every respect: ruthless and with feeling, dramatically operatic and full of contrapuntal finesse. The “Quartetto di Cremona” contrasts this work from Beethoven’s mature phase with his opus 127 of 1824. It is this work in E flat major with which the already deaf Beethoven began his series of late works, received by his contemporaries with alarm, but by posterity with admiration.

For a long time after the dissolution of the “Quartetto Italiano” in the 1980s, no Italian string quartets seemed to come forward to seek international renown. The four young musicians from Genoa, however, who formed the “Quartetto di Cremona” following their studies in the violin making town of Cremona, have revived Italian string quartet playing. Since its foundation in 2000, the ensemble has developed into the best quartet of its country, and also into one of the most prestigious and imaginative quartets within Europe. This status is documented by the audite recording series of the complete Beethoven String Quartets which was started one year ago – a touchstone for all string quartets in its textual dimension, as well as in its technical demands.

Reviews

February 2014

The Quartetto di Cremona are equal to technical demands but often wary of tonal involvement...Internal balance of the ensemble is just and the performances overall are good. But music of such intense concentration and consequence requires much more

February 2014

We may have grown accustomed to closely recorded string quartets in a relatively dry acoustic, but this Audite release is quite different in its spacious and resonant perspective...Intonation leaves question marks, but this highly regarded Italian quartet produces a very beautiful, rounded and warm tonal quality.

Beethoven: Complete String Quartets Volume 2

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