Hartke: The Ascent of the Equestrian in a Balloon

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This exciting recording of four works by Stephen Hartke, written over some 30 years, confirms that he is one of the most distinctive and important living composers. If the title of “The Ascent”... — New York Times, 13th December 2017 More…

Release Date: 9th Jun 2017
Catalogue No: BMOP1052
Label: Boston Modern Orchestra Project (BMOP)
Length: 59 minutes

The New York Times

Recordings of the Year 2017

Hartke: The Ascent of the Equestrian in a Balloon

Work length10:58

$1.50

$2.10

Boston Modern Orchestra Project
Gil Rose

Hartke: Alvorada

Work length17:36

$3.50

$4.90

Boston Modern Orchestra Project
Gil Rose

I. Cantiga da alva

Track length5:18

$1.00

$1.40

II. Cantiga de amigo

Track length8:06

$1.50

$2.10

III. Bailada

Track length4:12

$1.00

$1.40

Hartke: A Brandenburg Autumn

Work length18:36

$4.00

$5.60

Boston Modern Orchestra Project
Gil Rose

I. Nocturne - Barcarolle

Track length4:30

$1.00

$1.40

II. Scherzo - Colloquy

Track length4:27

$1.00

$1.40

III. Sarabande: - Palaces

Track length5:26

$1.00

$1.40

IV. Rejouissance - Hornpipe

Track length4:13

$1.00

$1.40

Hartke: Muse of the Missouri

Work length12:01

$2.00

$2.80

Boston Modern Orchestra Project
Gil Rose

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The whimsically titled The Ascent of the Equestrian in a Balloon is a perfect window into the mind of composer Stephen Hartke, whose boundless imagination and creativity is represented by four works in this latest release from BMOP/sound. The inspiration for Ascent was a quirky, surreal 18th-century woodcut, and it’s a playful piece written in celebration of the composer’s two-year-old son’s birthday. Spanning a period of three decades, the other works on the disc cover a range of characters and influences. Alvorada, subtitled “three madrigals for string orchestra,” is a melodic, polyphonic exploration of medieval lyric poetry. A Brandenburg Autumn, written for the Orpheus Chamber Orchestra’s “New Brandenburgs” commissioning project, is a dialogue, from a modern perspective, with Bach’s groundbreaking orchestral works. Muse of the Missouri is rooted in a sense of place: the celebrated fountains of Kansas City, MO, where the composer has many friends and colleagues. The performers of the Boston Modern Orchestra Project, led by Gil Rose, shine in both small and large ensemble groupings.

Reviews

New York Times 13th December 2017

This exciting recording of four works by Stephen Hartke, written over some 30 years, confirms that he is one of the most distinctive and important living composers. If the title of “The Ascent” doesn’t grab you, the breathless, fractured, skittish music will.

Hartke: The Ascent of the Equestrian in a Balloon

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