Alessandro Scarlatti: Cantatas & Recorder Concertos

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Release Date: 13th Sep 2019
Catalogue No: 95721
Label: Brilliant Classics
Length: 55 minutes

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Scarlatti, A: Tu sei quella che al nome

Work length12:21

$6.00

$7.80

Roberta Invernizzi (soprano), Stefano Bagliano (recorder)
Collegium Pro Musica

Tu sei quella che al nome (Bella dama di nome santa): Introduction

Track length0:55

$1.00

$1.30

Tu sei quella che al nome (Bella dama di nome santa): Lento alla francese

Track length1:39

$1.00

$1.30

Tu sei quella che al nome (Bella dama di nome santa): Recitative. Tu sei quella, che al nome sembre giusta

Track length1:00

$1.00

$1.30

Tu sei quella che al nome (Bella dama di nome santa): Aria. Dal nome tuo credei

Track length2:52

$1.00

$1.30

Tu sei quella che al nome (Bella dama di nome santa): Recitative. Fedeltade ne pur ottien ricetto

Track length1:22

$1.00

$1.30

Tu sei quella che al nome (Bella dama di nome santa): Aria. Il nome non vanta di santa colei

Track length4:33

$1.00

$1.30

Scarlatti, A: Recorder Sonata No. 22 in A Major

Work length6:07

$4.00

$5.20

Stefano Bagliano (recorder)
Collegium Pro Musica

Recorder Sonata No. 22 in A Major: I. Allegro

Track length0:59

$1.00

$1.30

Recorder Sonata No. 22 in A Major: II. Fuga

Track length2:11

$1.00

$1.30

Recorder Sonata No. 22 in A Major: III. Adagio

Track length1:27

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Recorder Sonata No. 22 in A Major: IV. Andante - Allegro

Track length1:30

$1.00

$1.30

Scarlatti, A: Ardo è ver per te d'amore

Work length11:28

$4.00

$5.20

Roberta Invernizzi (soprano), Stefano Bagliano (recorder)
Collegium Pro Musica

Ardo, e ver, per te d'amore: Recitative. Bella s'io t'amo il sai

Track length0:48

$1.00

$1.30

Ardo, e ver, per te d'amore: Aria. Ardo, e ver, per te d'amore

Track length5:49

$1.00

$1.30

Ardo, e ver, per te d'amore: Recitative. T'amo si t'amo o Cara

Track length1:20

$1.00

$1.30

Ardo, e ver, per te d'amore: Aria. Quel vento che t'in torno

Track length3:31

$1.00

$1.30

Scarlatti, A: Quella pace gradita

Work length17:50

$7.00

$9.10

Roberta Invernizzi (soprano), Stefano Bagliano (recorder)
Collegium Pro Musica

Quella pace gradita: Andante

Track length4:12

$1.00

$1.30

Quella pace gradita: Recitative. Quella pace gradita

Track length1:03

$1.00

$1.30

Quella pace gradita: Aria. Crudel tiranno Amore

Track length4:53

$1.00

$1.30

Quella pace gradita: Recitative. O voi selve beate

Track length0:41

$1.00

$1.30

Quella pace gradita: Aria. Care selve soggiorni di quiete

Track length2:30

$1.00

$1.30

Quella pace gradita: Recitative. Lungi, lungi da me tiranno Amore

Track length1:03

$1.00

$1.30

Quella pace gradita: Aria. Teco o mesta Tortorella

Track length3:28

$1.00

$1.30

Scarlatti, A: Sonata (Concerto No. 23) in C Major

Work length7:17

$4.00

$5.20

Stefano Bagliano (recorder)
Collegium Pro Musica

Sonata (Concerto No. 23) in C Major: I. Adagio

Track length1:23

$1.00

$1.30

Sonata (Concerto No. 23) in C Major: II. Fuga

Track length2:44

$1.00

$1.30

Sonata (Concerto No. 23) in C Major: III. Adagio

Track length1:21

$1.00

$1.30

Sonata (Concerto No. 23) in C Major: IV. Allegro

Track length1:49

$1.00

$1.30

About
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About

A new album from one of the outstanding voices of Baroque music in modern times. Having worked with countless luminaries of early-music performance over the last three decades, Roberta Invernizzi has become renowned for a crystalline soprano and an unfailing dramatic sense in Baroque and pre-Baroque music, especially from her native Italy.

Here she lends distinction to a unique collection of three cantatas and two concertos by the jewel in the crown of Baroque-era music from Naples, Alessandro Scarlatti. Bella dama di nome Santa and Ardo è ver per te d’amore are particularly brilliant examples of the cantatas written for solo voice and obbligato instrument – in this case the recorder. The violin is the instrument assigned to duet with Invernizzi in the intensely expressive Quella pace gradita, which in this case does not vie with the soprano – as it does with the recorder in the previous two Cantatas – but rather accompanies the voice.

Like the cantatas, the two concertos here date from the turn of the 17th to the 18th centuries: four-movement works of scintillating virtuosity, fully the equal of Vivaldi’s better-known examples, but laid out like a brief sonata with a brief introduction to a well-worked fugue, followed by a songful slow movement and brilliant finale.

Under the direction of its founder, Stefano Bagliano, the Collegium Pro Musica has assembled a distinguished discography on Brilliant Classics which has attracted international praise. Their album of Quantz concertos (BC95386) was reviewed in Fanfare as ‘very fine – technically accomplished, and both lively and characterful, without turning mannered.’ Of their collection of chamber concertos by Vivaldi (BC94332), Musica dei donum commented: ‘imaginative and lively, dramatic when needed, but also have intimacy, whenever the music asks for it…The virtuosic solo passages are perfectly executed.’

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