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Hill establishes his voice from the outset with fluid, velvet-toned playing and a predominantly introspective, rather than showy approach...In short, these are exquisitely poetic and, above all,... — BBC Music Magazine, September 2013, 5 out of 5 stars More…

He addresses that Everest on the landscape of Bach’s keyboard writing, and with characteristically unshowy yet compelling results. He’s up against stiff opposition of course…But there’s an honesty... — BBC Music Magazine, June 2018, 4 out of 5 stars More…

here's a snapshot of a highly gifted musician in the midst of an exploratory process…he's gone back to Anna Magdalena's copy, finding a variant of the opening material in the D major Prelude... — BBC Music Magazine, October 2015 More…

Hill's technique is impressive, but he eschews flamboyant showmanship, bringing instead humility, poise and gravitas to these accounts. Tempos are thoughtfully judged and tend to underscore the... — BBC Music Magazine, May 2012, 5 out of 5 stars More…

Peter Hill never underestimates [the] challenge, and there's a confiding wisdom sustaining his latest Bachian foray. Trademark unshowy integrity, too, articulated through a silky translucent... — BBC Music Magazine, February 2016, 4 out of 5 stars More…

There’s no questioning the suitability of the two-manual accordion in taking on the Goldbergs, given the work’s two-manual harpsichord origins, and Telari sticks closely to Bach’s musical expression.... — BBC Music Magazine, October 2021, 3 out of 5 stars More…

Joined by the lower voices of Merton College Choir, the Girl Choristers exhibit a crystalline clarity of tone in the traditional Rocking Carol, and full-voiced attack in Joubert ’s Torc he s.... — BBC Music Magazine, Chrstmas 2022, 4 out of 5 stars More…